The Alvin Ailey American Dance Theater opens its City Center run, December 2 through January 3. During the curtain call at City Center that followed the world premiere of Robert Battle’s Awakening, the twelve members of the Alvin Ailey American Dance Theater joined the audience in clapping enthusiastically for him. Sweaty, their faces alight, their hands slamming together, they showed their … [Read more...]
Playgrounds of the Mind
Andrea Miller's Gallim Dance at the Joyce 12/3-6; Anneke Hansen Dance at the Irondale Center, 12/2-5. Andrea Miller’s powerful dances always make me think of tribes pursuing their goals, whether spiritual or practical. What lies behind that fiercely arduous, sometimes bizarre way of life may remain mysterious. Take a passage from her momentous new Whale. Six of her eight marvelous dancers … [Read more...]
One Composer, Four Choreographers
Dance celebrates the music of Thomas Adès at New York City Center. “His music moves from here to there in a way that is at heart choreographic.” Music critic and historian James M. Keller wrote those words in a program note for “Thomas Adès: Concentric Paths—Movements in Music,” the Sadler's Wells London’s production of four dances set to Adès scores, an event in Lincoln Center’s White … [Read more...]
Adieu, Sylvie, et Merci
Sylvie Guillem dances into retirement. Force of Nature. That’s the title of a documentary about the career of the formidable French dancer, Sylvie Guillem (https://www.youtube.com/watch?v=QmMaNQBED8Q). You can see her at 19, when she was promoted to the rank of étoile in the Paris Opera Ballet by its then director Rudolf Nureyev. She is startling as a ballerina. Although her long neck, … [Read more...]
Twyla Tharp: Fifty Years of Making Dances
Twyla Tharp ends her 50th Anniversary Tour in New York City. Twyla Tharp premiered her first work, Tank Dive, on April 29, 1965, in room 1604 of Hunter College’s Art Department (where she was not a student). It was the only dance on the program and lasted four minutes, which she considered to be the longest amount of time she thought she could fill to perfection. Besides, she noted in a … [Read more...]
Dancing to Beat the Reaper
Kyle Abraham/Abraham.In.Motion brings three works to the Joyce Theater. Seated at a piano in a corner of the Joyce Theater, Kris Bowers begins to play a quiet, rippling tune—familiar yet unfamiliar. Beside the instrument and close to the front rows of spectators, Kyle Abraham performs a prelude to his company’s season, never moving outside a muted spotlight’s beam. Just as Bowers dreamily … [Read more...]
Not a Dance? Are You Sure?
I plan to iron out the creases and frame the flyer for The Kitchen’s fall season. It’s an art work by Ralph Lemon that also appears in Lemon’s installation and performance there, Scaffold Room. Tiny, brightly painted figures cross the sheet of paper in rows that disguise their parallel underpinnings. There are also words, so tiny as to be difficult to read. I spot images from Scaffold Room: a man … [Read more...]
Three Veteran Adventurer-Choreographers Get Together
First time I’ve been to JACK, where Neil Greenberg, Yvonne Meier, and Jennifer Monson are sharing a program. The Brooklyn space reminds me of the original Dance Theater Workshop of the 1960s, when it sprang up in Jeff Duncan’s loft at 215 West 20th Street in Manhattan. Enough chairs for 50 or so spectators. Two small curtained dressing areas at one end. Two restrooms at the opposite end of the … [Read more...]
An Ancient Dance Play Meets New Music
Wendy Whelan and Jock Soto dance together again in a new approach to a Noh play. It is a marvelous robe! Well, not a robe exactly; it looks more like a shawl—light as feather, shimmering with gold, unearthly. It gives its name to a Japanese legend and to Hagoromo, the 16th-century Noh drama it inspired; the robe belongs to a celestial dancer who can depict through her movements the changes … [Read more...]
Dancing with Bach
Anne Teresa De Keersmaeker and Boris Charmatz perform her Partita 2 in Lincoln Center's White Light Festival. Anne Teresa De Keersmaeker’s Brussels-based company, Rosas, last performed in New York in 2013, when the Brooklyn Academy of Music presented her En Attendant and Cesena. Several years before, the two stunning pieces, featuring singers and instrumentalists as well as dancers, had … [Read more...]