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Deborah Jowitt on bodies in motion

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Noh Transformations

October 29, 2019 by Deborah Jowitt

Anyone who has seen a Japanese Noh play will not forget it easily. The poetic speech, the masked characters and their slow, ceremonious behavior, the tiny details that expose a world. Karole Armitage has studied and thought about the form for many years, perhaps while performing in Merce Cunningham’s company or being the resident choreographer for the Ballet de Lorraine (among many other … [Read more...]

Anthologizing Abraham

August 5, 2019 by Deborah Jowitt

When I watch a dance that I’ve also seen a few years earlier, I perceive it differently. Maybe I hear it differently too. Has it changed? Maybe. Have I changed? Of course. So has the world. I’ve viewed and written about all but one of the works dating from 2011, 2017, and 2018 that members of A.I.M (Abraham in Motion) performed this past week at Jacob’s Pillow. Some new dancers have taken on the … [Read more...]

Tribal Disintegration

November 7, 2018 by Deborah Jowitt

Sasha Waltz & Guests comes from Berlin to BAM. The title of Sasha Waltz’s Kreatur is German for “creature,” since Berlin is where her company is based. At some point during the performance of the piece by Sasha Waltz & Guests at the Brooklyn Academy of Music’s Howard Gilman Opera House, I began to wonder whether the singular noun might allude to one feverish entity, with the … [Read more...]

Hunger Appeased? Maybe Not

October 17, 2018 by Deborah Jowitt

Kimberly Bartosik/daela premieres I hunger for you at Lumberyard. Lumberyard first appeared in Maryland in 2011, providing residencies for dance artists who were preparing new work. It resurfaced this past summer in stunning new quarters in Catskill, New York as a center for performances and film showings and opened its inaugural season at the end of September. On October 12 and 13, … [Read more...]

Together in a Shrinking Space

October 15, 2018 by Deborah Jowitt

Lucy Guerin Inc performs Guerin's Split at the Baryshnikov Arts Center, October 13 through 15. Some European and American choreographers focus primarily on illuminating music, creating light-hearted romps, or re-envisioning beauty and nobility in tragedy (think Giselle, think Odette). However, impelled in part by Martha Graham, Doris Humphrey, and their contemporaries, others have probed … [Read more...]

Excavate, Reassemble, Create

August 17, 2018 by Deborah Jowitt

Netta Yerushalmy premieres her Paramodernities at Jacob's Pillow What? My name listed in the Jacob’s Pillow program among the twenty-four people whom Netta Yerushalmy was gracious enough to thank for the “insights” they contributed to her Paramodernities? Quick search through my e-mail. Yes, in 2013, Yerushalmy (who had been a student in NYU’s Tisch School of the Arts when I was on its … [Read more...]

Happy Hours Aren’t Always Happy

July 28, 2018 by Deborah Jowitt

Monica Bill Barnes and Anna Bass perform Happy Hour at Jacob's Pillow, 7/26-28 and 8/2-4. The first time I saw Monica Bill Barnes’s Happy Hour, it took place in a long, narrow studio at Gibney Dance, 280 Broadway. In that re-purposed old building near City Hall, it was easy to imagine Barnes and Anna Bass—clad in hats, suits, and ties, their hair slicked back into puny buns—coming from … [Read more...]

Make Them Fall, Help Them Stand

July 20, 2018 by Deborah Jowitt

Sidi Larbi Cherkaoui/Eastman performs at Jacob's Pillow Ten years ago, I began my review of zero degrees, the duet that Sidi Larbi Cherkaoui created and performed with Akram Khan, like this: “The audience leapt to its feet,” noting that I couldn’t remember ever seeing such an eruption before at New York City Center. Now it has happened again. When the curtain came down on Cherkaoui’s 2015 … [Read more...]

The Times Are Changing

May 10, 2018 by Deborah Jowitt

Kyle Abraham's company, A.I.M., performs at the Joyce Theater. Kyle Abraham used to call his company Kyle Abraham/Abraham in Motion. Now it’s called A.I.M. Of course, if you want to visit the company’s website, you may find yourself at Associated International Management or Advanced Idea Mechanics, but I expect he knows that. The concise new name minimizes his position, as well as … [Read more...]

Building Community, Skin Against Skin

May 9, 2018 by Deborah Jowitt

Meg Stuart/Damaged Goods, working in both Brussels and Berlin, visits NYU Skirball The first time I try to access the website of Meg Stuart/Damaged Goods (based in both Brussels and Berlin), the screen says only “try to explode;” when I enter it again later, it tells me, “you have to embrace accident.” I think I’ll try the second now and save the first until later. Seeing Stuart’s 2015 … [Read more...]

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Deborah Jowitt

Deborah Jowitt began to dance professionally in 1953, to choreograph in 1961, and to write about dancing in 1967. Read More…

DanceBeat

This blog acknowledges my appetite for devouring dancing and spitting out responses to it. Criticism that I love to read—and have been struggling to write ever since the late 1960s—probes deeply and imaginatively into choreography and dancing, … [Read More...]

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