The Martha Graham Dance Company at New York City Center, April 11 through 14 I assume that Isamu Noguchi heard at least some of Carlos Surinach’s sly, scorching music for Martha Graham’s Embattled Garden in rehearsal before he designed the scenery that would be so crucial to the 1958 dance. The garden is the one we’re told existed in Eden. No greenery for Noguchi (and not much innocence in … [Read more...]
Stephen Petronio: Honoring His Heritage, Moving On
The Stephen Petronio Company performs new and historic works. It has long been something of a tradition that so-called modern dancers forge their own styles, train those who perform their works, and, inevitably, appear as a central power onstage. However, New Yorkers attending Paul Taylor’s recent American Modern Dance season were treated to guest artists performing works by Isadora Duncan … [Read more...]
Paul Taylor and His Cohort
Paul Taylor American Modern Dance at Lincoln Center through March 25th. I think I finally got it straight: Paul Taylor American Modern Dance is a presenting organization and the Paul Taylor Dance Company is one of the organizations it presents and for which it commissions new work. (There. That wasn’t hard, was it?) During its ongoing season at Lincoln Center’s former New York State … [Read more...]
Taylor Made
Paul Taylor American Modern Dance at Lincoln Center, March 6 through 25. When Paul Taylor’s Roses premiered in 1985, fake petals drifted down onto the City Center stage just before the lights went out on his sweet-tempered choreography. No such sprinkling occurred on the second evening of Paul Taylor American Modern Dance’s 2018 three-week season at the former New York State Theater. Would … [Read more...]
Three Women Meet and Make a World
Dana Reitz premieres Latitude at New York Live Arts “Exquisite.” That was what a colleague whispered to me as he emerged from New York Live Arts’ theater into the lobby. Maybe he spoke quietly because Dana Reitz’s trio, Latitude (the third and last presentation of the annual LUMBERYARD in the City festival), had attuned us to every nuance of sound and how it impinges on silence. That single … [Read more...]
A Japanese Company Brings a Forest to New York
Kei Takei's Moving Earth Orient Sphere performs at New York Live Arts, January 25-27. In 1969, New Yorkers hadn’t seen anything resembling the dances Kei Takei was beginning to make. Like the choreographers who’d been associated with Judson Church earlier in the 1960s (Yvonne Rainer, David Gordon, Steve Paxton et al), she broke the implicit rules of western dance. But in her hands, … [Read more...]
Cool Heat
Garth Fagan Dance comes from Rochester to the Joyce Theater, November 7 through 12. This isn’t the first time I’ve wanted to start a review of Garth Fagan Dance by praising the dancers. It’s not, however, really fair. They’ve been intensively trained by Fagan at his school up in Rochester, New York, and they’re dancing either his choreography or that of company member Norwood Pennewell (now … [Read more...]
Dark Matters from Finland
Tero Saarinen Company performs at the Joyce Theater. Who are these men? I can tell you their names: Ima Iduozee, Leo Kirjonen, Mikko Lampinen, Jarkko Lehmus, David Scarantino, Eero Vesterinen, Heikki Vienola (have you guessed that almost all of them are Finnish?). However, seeing them onstage at the Joyce Theater in Morphed (2014) by the fascinating choreographer Tero Saarinen, you would … [Read more...]
Life in a Whirlwind
The Bill T. Jones/Arnie Zane Company presents a new work. In October, almost a year ago, I wrote about one of two pieces that the Bill T. Jones/Arnie Zane Company premiered at the Joyce Theater. Lance: Pretty AKA The Escape Artist told through movement, speech, music, movable set pieces, and props the story of Lance T. Briggs, a nephew of Bill T. Jones, who began as a promising ballet … [Read more...]
Twyla Tharp Dances Again
Twyla Tharp Dance appears at the Joyce Theater, September 19 through October 8 What do I admire—love— about Twyla Tharp’s best choreography? Its scrappiness, its heroism, its tenderness, her masterly way with form and dynamics. She knows how to make a tight, punchy barrage of little steps erupt into a slow soar, how to turn a canon into a fugue, how to let unison slide into diversity and … [Read more...]