David Dorfman’s Prophets of Funk might well be subtitled The Way We Were. He first heard Sly and the Family Stone as a college freshman, back in 1973, and no doubt mourned the band’s demise in 1983. When the Jacob’s Pillow audience gets its first look at Dorfman during the work’s August run there, he’s surely channeling his younger self. Advancing along a diagonal—a bulky man, limber in his loose … [Read more...]
Morris, the Night, and the Music
When it comes to selecting music to spark choreography, Mark Morris is an omnivore. He gives loving, uncondescending attention to popular songs like George Gershwin’s “Someone to Watch Over Me,” Jerome Kern’s “Two Little Bluebirds, or (once) Yoko Ono’s “Dogtown,” as well as digging into scores by Bach, Stravinsky, Schumann and other musical giants. To Lincoln Center’s Mostly Mozart Festival, … [Read more...]
Forty Years of Magical Thinking
Labels like “ordinary” and “everyday” have often been pasted onto Trisha Brown’s movement, especially when someone is alluding to her early work as a member of the iconoclastic Judson Dance Theater. But when has anything she’s ever made been ordinary? Walking may be ordinary, but getting a dancer (to whom she was married at the time) to walk down the side of a very tall building is not your usual … [Read more...]