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Deborah Jowitt on bodies in motion

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Archives for February 2019

Close-Up Worlds

February 26, 2019 by Deborah Jowitt

Bill Young/Colleen Thomas & Co. February 22 & 23 I’m sitting in Bill Young and Colleen Thomas’s loft waiting for the rest of the audience to straggle in, greet friends, maybe pick up something to drink, and settle down for the program of dance in LIT No. 19 (Loft into Theater).  Memories assail me, specifically those filed away under  “good old days in NYC,” when … [Read more...]

Finding a World

February 16, 2019 by Deborah Jowitt

Who are these people, these inhabitants of Andrea Miller’s To Create a World? They are, of course, members of her company Gallim and collaborators in the work’s choreography, but that doesn’t answer the question. They seem to be part of an evolving world of fire and ice, themselves perhaps evolving. In Will Epstein’s score for piano, electronics, voice, percussion, synthesizers, saxophone, plus … [Read more...]

Dancing Community

February 10, 2019 by Deborah Jowitt

It wasn’t the usual impersonal voice reminding those of us sitting in the Joyce Theater to please turn off our cellphones, Instead, we who were waiting to see Camille A. Brown and Dancers perform her ink heard a muted, but excited babble and a voice that I took to be Brown’s delivering the requisite warning. It also might have been an invitation to see the performers as a tribe and, as much … [Read more...]

New York City Ballet Presents a New Work

February 9, 2019 by Deborah Jowitt

If Sir Isaac Newton had time-traveled from the late 17th–century England to 21st-century New York and found himself watching the New York City Ballet perform Justin Peck’s new Principia, would he have understood the ballet’s connection to his three-volume Philosophiæ Naturalis Principia Mathematica? You never know. But he might have understood bodies onstage being subject to gravitational pull and … [Read more...]

Transfigured Night

February 3, 2019 by Deborah Jowitt

I am always amazed by the dances that Anne Teresa De Keersmaeker creates for her Belgium-based company, Rosas. To begin with, I’m never sure what I’ll see or where I’ll have to go in order to see one of them. Preparing to take in her Verklärte Nacht last week, I might well have wondered whether she would perform a solo, like her 1980 Violin Phase (incorporated into the four-part Fase two years … [Read more...]

Deborah Jowitt

Deborah Jowitt began to dance professionally in 1953, to choreograph in 1961, and to write about dancing in 1967. Read More…

DanceBeat

This blog acknowledges my appetite for devouring dancing and spitting out responses to it. Criticism that I love to read—and have been struggling to write ever since the late 1960s—probes deeply and imaginatively into choreography and dancing, … [Read More...]

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Alexei Ratmansky Amar Ramasar American Ballet Theatre Anne Teresa De Keersmaeker BAM Fisher Benjamin Millepied Carol Mullins Christopher Wheeldon Danspace Project Davison Scandrett Dylan Crossman Frederick Ashton George Balanchine Hee Seo Jacob's Pillow Jacob's Pillow Dance Festival Janet Eilber Jennifer Tipton Joe Levasseur Joyce Theater Justin Peck Kyle Abraham Laurel Lynch Lindsey Jones Marcelo Gomes Mark Morris Mark Morris Dance Group Martha Graham Martha Graham Dance Company Melissa Toogood Merce Cunningham New York City Ballet New York Live Arts Pam Tanowitz Paul Taylor Peak Performances Peter Martins Robert Rauschenberg Sara Mearns Stephen Petronio The Kitchen Tiler Peck Trisha Brown Twyla Tharp Tyler Angle
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