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Archives for November 2017

Seems Like It Was Just Yesterday. . .

November 17, 2017 by Deborah Jowitt

Big Dance Theater premieres a new work at the BAM Harvey, November 14 through 18. I’d like to browse Annie-B Parson’s book shelves. What will she read to inspire the next dance theater piece that she choreographs for Big Dance Theater and, with Paul Lazar, directs? She slides together two or more disparate texts together and makes them strike sparks off each other. Maybe it’s not just her … [Read more...]

Cool Heat

November 12, 2017 by Deborah Jowitt

Garth Fagan Dance comes from Rochester to the Joyce Theater, November 7 through 12. This isn’t the first time I’ve wanted to start a review of Garth Fagan Dance by praising the dancers. It’s not, however, really fair. They’ve been intensively trained by Fagan at his school up in Rochester, New York, and they’re dancing either his choreography or that of company member Norwood Pennewell (now … [Read more...]

Working Together in Love and in Hate

November 10, 2017 by Deborah Jowitt

David Dorfman Dance at BAM Harvey Theater, November 8-11. I came home Wednesday night wanting to crawl into bed with David Dorfman’s Aroundtown, snuggle up to it, and have better dreams. You understand, of course, that I don’t mean that literally; six dancers, four musicians, plus Dorfman and his wife (guest performer Lisa Race) wouldn’t fit in my bed. But the hour-long piece that I’d seen … [Read more...]

Ballet Up Close and Personal

November 6, 2017 by Deborah Jowitt

New York Theatre Ballet's Legends and Visionaries series at Danspace Project at St. Mark's Church. The cover photo for New York Theatre Ballet’s season at Danspace Saint Mark’s does not show any of the company’s fine performers. Instead it bears a photo of artistic director Diana Byer and David Vaughan, the dance historian, critic, lecturer, and performer widely known as the author of … [Read more...]

The Red Shoes Redux

November 4, 2017 by Deborah Jowitt

Matthew Bourne/New Adventures brings the 1948 movie, The Red Shoes, to the stage. In 1953-54, when Britain’s Sadlers Wells Ballet had not yet become the Royal Ballet, and the company was performing in New York’s old Metropolitan Opera House in the West 30s, ballet lovers formed lines for standing-room tickets early in the morning. The excitement had, in part, been kindled by Michael Powell … [Read more...]

Deborah Jowitt

Deborah Jowitt began to dance professionally in 1953, to choreograph in 1961, and to write about dancing in 1967. Read More…

DanceBeat

This blog acknowledges my appetite for devouring dancing and spitting out responses to it. Criticism that I love to read—and have been struggling to write ever since the late 1960s—probes deeply and imaginatively into choreography and dancing, … [Read More...]

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