Jennifer Monson/iLAND performs in tow in St. Mark's Church. Improvised dance performances, however they are structured, have something in common. Performers keep a sharp eye out for one another, whether they’re moved to join a comrade, pursue a solitary investigation, instigate a change, or draw on some prearranged material. Sitting in St. Mark’s Church watching Danspace Project’s … [Read more...]
Archives for 2016
Mysterious Beauty
Pam Tanowitz Dance kicks off "NY Quadrille," a two-week season masterminded by Lar Lubovitch. Over the years, dance has acquired a reputation for mysteriousness. This vexes many people, enchants others, and confuses others still more. After seeing Pam Tanowitz’s Sequenzas in Quadrilles at the Joyce Theater, I walked along the sidewalk a bit ahead of two women who were energetically … [Read more...]
Re-envisioning Shreds of Memory
John Jasperse presents a new work at BAM Harvey, September 21-24. John Jasperse’s new Remains has a clarity so exquisite that images from it have pasted themselves into my memory. The piece, which premiered at the BAM Harvey this past week, shows some of these images to us many times, but in different ways; imagine a painted group scene, from which someone has clipped individual figures and … [Read more...]
They Could Have Danced All Night
New York City Ballet opens its fall season (September 20 to October 16) with four new ballets. The New York City Ballet’s gala performances are intriguing phenomena—so many gowns trailing hazardous trains during the pre-performance cocktail party on the second floor promenade, so many tiny, slightly slippery hors d’oeuvres, and at the same time such pride and good spirits among those … [Read more...]
Across the Water, into the Past
Colleen Thomas Dance performs a site-specific work on Governors Island, September 16-18. Visiting Governors Island for the first time (yes, really), I look at the fine old wooden houses ranged around the grassy expanse known as Nolan Park—some of them quite grand—and wish I could have grown up there. Probably not when its cannons, facing the scant 800 yards of water that separate the island … [Read more...]
Seeing Autumn In With Cabaret
Dance Now presents its fall festival at Joe's Pub September 7 through 10. How often do you see ten dances in under an hour-and-a-half? Had Joe’s Pub not initiated its annual Dance Now Festival eight years ago, you’d have had to think back to the 1920s and the well-filled solo programs that Martha Graham and others put on. Robin Staff, the producer and executive director of Dance Now, must … [Read more...]
Borne on a West Coast Breeze
The Pacific Northwest Ballet performs during Jacob's Pillow's last week of the summer. It takes more than a moderate climate, ocean breezes, and lots of rain for a ballet company to flourish, and the Seattle’s Pacific Northwest Ballet yields a well-chosen repertory and dancers from all parts of the U.S. and beyond, who make skill and precision look chosen and invested in, rather than … [Read more...]
From England Via Florida With Love
The Sarasota Ballet presents an all-Ashton program at the Joyce Theater. I have long been enamored of Frederick Aston’s ballets—narrative ones, such as La Fille mal gardée, Cinderella, and The Dream; abstract ones, such as Monotones; and thoroughly unusual ones, such as A Wedding Bouquet and Enigma Variations. There’s something sweet-tempered about all of them. Who but Ashton would make one … [Read more...]
Legends and Visionaries
New York Theatre Ballet performs a new work and a classic at the Jacob's Pillow Dance Festival. Young choreographers are usually advised to start out “small.” You know, try their wings. Diana Byer, the artistic director of the fine little New York Theatre Ballet, took the opposite tack. According to an interview with Steven Melendez, a dancer in NYTB, and Zhong-Jing Fang, a member of … [Read more...]
A Wintry Tale of Love and Jealousy
“What were you thinking, Will?” And “Eat your heart out, Marius Petipa.” These two silent remarks to the eminent dead periodically rattled around in my head while I was at Lincoln Center watching The National Ballet of Canada perform Christopher Wheeldon’s remarkable three-act work based on William Shakespeare’s 1611 play The Winter’s Tale (staged for the NBC by Jacquelin Barrett and Anna Délicia … [Read more...]