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Archives for December 2016

‘Tis the Season

December 17, 2016 by Deborah Jowitt

Mark Morris's The Hard Nut at BAM Howard Gilman Opera House. Mark Morris’s The Hard Nut sets the knowing audience at the Brooklyn Academy laughing in ways that most ballets set to Tchaikovsky’s The Nutcracker do not. But I doubt that ballet aficionados in St Petersburg in 1892 found their eyes moisting up either. This revival of Morris’s music-wise, tradition-flouting version melds human … [Read more...]

Four Dances Mingle As One

December 12, 2016 by Deborah Jowitt

Bill Young revives his Interleaving at 100 Grand Street, December 9 through 11. I was beginning to write about Bill Young’s revival of his Interleaving after he'd given it a 30-year vacation, when my planned opening struck a chord. Yes, there it was, the start of my 2013 review of A Place in France (a collaboration between Young and his wife, Colleen Thomas): me at 100 Grand Street, … [Read more...]

Dancing Toward a Future

December 10, 2016 by Deborah Jowitt

"New Dances: Edition 2016" showcases Juilliard Dance's four classes of students in new choreography. Every December, the Juilliard School presents its dance students in five public performances of works choreographed for them. Lawrence Rhodes, artistic director of the Juilliard Dance Division, commissions a piece for the members of each class in the school’s BFA program, from the freshmen … [Read more...]

Past Hits and a New Dance from Abroad

December 8, 2016 by Deborah Jowitt

The Alvin Ailey America Dance Theater at City Center, November 30-December 31. Not long after its beginnings in 1958, the Alvin Ailey Dance Company broke an unspoken rule for modern dance companies. Most of those had a single choreographer, who also starred in almost every work; dancers wishing to perform leading roles had to found their own groups. But Ailey created a repertory ensemble, … [Read more...]

Two for One

December 4, 2016 by Deborah Jowitt

Dylan Crossman Dans(c)e shares a program with Caleb Teicher & Company at Gibney Dance: Agnes Varis Performing Arts Center. Gibney Dance’s “DoublePlus” series at its Agnes Varis Dance Center invited three choreographers to each curate a double bill and serve as mentors. You might legitimately wonder what Dylan Crossman, formerly with Merce Cunningham, and tap artists Caleb Teicher and Nathan … [Read more...]

Celebrating Lucinda

December 3, 2016 by Deborah Jowitt

Lucinda Childs Dance Company samples fifty-three years of her choreography at the Joyce, November 29-December 11. When I first saw Lucinda Childs’ choreography in the early 1970s, I knew little about Judson Dance Theater, which had presented her as a radical worthy of being linked with Yvonne Rainer, Steve Paxton, et al. Nor was I a seasoned critic. What fascinated me then was her … [Read more...]

Deborah Jowitt

Deborah Jowitt began to dance professionally in 1953, to choreograph in 1961, and to write about dancing in 1967. Read More…

DanceBeat

This blog acknowledges my appetite for devouring dancing and spitting out responses to it. Criticism that I love to read—and have been struggling to write ever since the late 1960s—probes deeply and imaginatively into choreography and dancing, … [Read More...]

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Alexei Ratmansky Amar Ramasar American Ballet Theatre Anne Teresa De Keersmaeker BAM Fisher Benjamin Millepied Carol Mullins Christopher Wheeldon Danspace Project Davison Scandrett Dylan Crossman Frederick Ashton George Balanchine Hee Seo Jacob's Pillow Jacob's Pillow Dance Festival Janet Eilber Jennifer Tipton Joe Levasseur Joyce Theater Justin Peck Kyle Abraham Laurel Lynch Lindsey Jones Marcelo Gomes Mark Morris Mark Morris Dance Group Martha Graham Martha Graham Dance Company Melissa Toogood Merce Cunningham New York City Ballet New York Live Arts Pam Tanowitz Paul Taylor Peak Performances Peter Martins Robert Rauschenberg Sara Mearns Stephen Petronio The Kitchen Tiler Peck Trisha Brown Twyla Tharp Tyler Angle
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