A quarter century ago, a New England journalist named Milton Moore turned me – a lover of rock and jazz without much interest in music before Elvis Presley and Charlie Parker – on to Schubert, late Beethoven, and The Well-Tempered Clavier. Milton, who has been reviewing music, classical and otherwise, since the ‘70s, today starts a more-or-less monthly column about contemporary and … [Read more...]
Scott Timberg on Creative Destruction
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