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Scott Timberg on Creative Destruction

Poetry and Plutocracy

April 8, 2015 by Scott Timberg

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A NEW book of poems, Monetized, looks at our new Gilded Age, with its staggering extremes of wealth and poverty. The book is written by the New York journalist Alissa Quart, who has written three books, the most recent of which is Republic of Outsiders.

The New Yorker’s Joshua Rothman has a smart profile of Quart on the magazine’s site today. What she’s describing, she says, is not brand new, but it marks a disturbing and important shift: “Thinking about money used to be in the background, and now it’s foregrounded.”

The story continues:

A few of the poems in “Monetized” are about the obvious subject of gentrification—about walking around your old neighborhood and encountering, as Quart put it, a “Danish lady with blonde pigtails, an Uppababy, and shiny sweatpants,” where, twenty years ago, you might have met a leather daddy on his way to Rawhide. Quart longs for the chaotic, untidy, unpredictable New York of the seventies and eighties. But most of the poems pursue more elusive subjects: the hollow satisfactions of Internet culture (“ ‘What’s the point?’ seeps out / of that hyperlink”); the simultaneous pride and shame with w.hich we approach our own consumer identities (“Overnight, binging turned positive”); the commercialization of self-perfection, which gives each of us, in place of a super-ego, an “internal continuous / improvement consultant.” In many of them, Quart traces the influence of money-obsession on her own imagination. “When you write narrative nonfiction, the dream is to get into another person’s mind. With poetry, you’re always already in somebody’s mind—it’s just your own,” she said. “There’s that feeling where your inner life is shaped by financial concerns and values. You’re sort of self-objectifying.”

I’ve met Quart only once, but feel an eerie connection between her work and mine, as if she’d tapped into my thinking and translated it to the verse that I don’t know how to write. Monetized is well worth looking at for anyone who cares about poetry, the new plutocracy, or the invisible, psychological impact of the wealth economy.

 

Filed Under: literary, new york, Plutocracy, poetry, politics

Comments

  1. william osborne says

    April 9, 2015 at 3:17 am

    Interesting that she idealizes earlier decades in NYC, “the chaotic, untidy, unpredictable New York of the seventies and eighties.” These decades culminated in terrible social problems. In 1994 there were 2,420 murders, 5008 rapes, and 195,352 violent crimes in NYC. The sum of burglaries, robberies, and theft comes to about half a million. The numbers are about a quarter that now. Plutocracy has many manifestations that change over time.

Scott Timberg

I'm a longtime culture writer and editor based in Los Angeles; my book "CULTURE CRASH: The Killing of the Creative Class" came out in 2015. My stories have appeared in The New York Times, Salon and Los Angeles magazine, and I was an LA Times staff writer for six years. I'm also an enthusiastic if middling jazz and indie-rock guitarist. (Photo by Sara Scribner) Read More…

Culture Crash, the Book

My book came out in 2015, and won the National Arts & Entertainment Journalism Award. The New Yorker called it "a quietly radical rethinking of the very nature of art in modern life"

I urge you to buy it at your favorite independent bookstore or order it from Portland's Powell's.

Culture Crash

Here is some information on my book, which Yale University Press published in 2015. (Buy it from Powell's, here.) Some advance praise: With coolness and equanimity, Scott Timberg tells what in less-skilled hands could have been an overwrought horror story: the end of culture as we have known … [Read More...]

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