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Scott Timberg on Creative Destruction

Do Adorno and Benjamin Still Speak to Us?

September 12, 2014 by Scott Timberg

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THERE’s an excellent Alex Ross essay in the latest New Yorker on the Frankfurt School and the rise and fall and perhaps rise again of its reputation. Ross leads this way:

In Jonathan Franzen’s 2001 novel, “The Corrections,” a disgraced academic named Chip Lambert, who has abandoned Marxist theory in favor of screenwriting, goes to the Strand Bookstore, in downtown Manhattan, to sell off his library of dialectical tomes. The works of Theodor W. Adorno, Jürgen Habermas, Fredric Jameson, and various others cost Chip nearly four thousand dollars to acquire; their resale value is sixty-five. “He turned away from their reproachful spines, remembering how each of them had called out in a bookstore with a promise of a radical critique of late-capitalist society,” Franzen writes. After several more book-selling expeditions, Chip enters a high-end grocery store and walks out with an overpriced filet of wild Norweg2014_09_15ian salmon.

I’ve gone through my own ups and down with these often pessimistic Freud- and Marx-influences critical theorists, and expect I will continue to. I’ll just say for now that while I return to Walter Benjamin every few years, and am always struck by his prose style and the depth of his emotion, I find the unfashionable Adorno sometimes more rigorous in facing up to culture’s complexities. It’s not that I hate pop culture (or jazz!) but some of his stuff is quite smart.

In any case, I wonder, do these thinkers of the ’30s still have anything to tell us about our world today?

Filed Under: classical music, germany, Jonathan Franzen, Marx, new yorker

Comments

  1. Neil McGowan says

    September 13, 2014 at 2:45 am

    Did Adorno ever speak to us??

    Sad pseudo-intellectual posturing, for the most part. Utterly mistaken bilge for the rest.

  2. Scott Timberg says

    September 13, 2014 at 9:58 am

    I think that is the conventional wisdom about Adorno. And you do indeed need to squint past some bad ideas to see the truth in there.

  3. Scott Redford says

    September 15, 2014 at 2:08 pm

    Well I just read a text by Boris Groys on eflux journal and it refers constantly to Benjamin. Adorno is a difficult read but very worthwhile. Now Marshall McCluhan is back big time. These guys will all be of use for centuries. None are totally right but they keep being reinterpreted for successive generations.

Scott Timberg

I'm a longtime culture writer and editor based in Los Angeles; my book "CULTURE CRASH: The Killing of the Creative Class" came out in 2015. My stories have appeared in The New York Times, Salon and Los Angeles magazine, and I was an LA Times staff writer for six years. I'm also an enthusiastic if middling jazz and indie-rock guitarist. (Photo by Sara Scribner) Read More…

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