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Scott Timberg on Creative Destruction

Architecture and the Creative Class

February 4, 2012 by Scott Timberg

THINGS seemed to be going so well: The architect was a figure tailor-made for the heyday of bourgeois bohemia, and Frank Gehry was palling around with Brad Pitt.

But things changed, badly, and it’s not clear now when, or how, they’ll change back. Corporate firms are in some cases doing fine, and architects who design for the 1% are doing better than those who depend on civic projects, but many others are hurting.

The latest of my stories about the creative class in the 21st century — part of Salon’s Art in Crisis series — just went up HERE. I spoke to a number of architects and observers to get a sense of this important but imperiled field.

Filed Under: architecture, creative class, downturn

Comments

  1. Semihandmade says

    February 5, 2012 at 12:10 pm

    Scott,

    Good piece. Something missing, though, was the notion of Design/Build firms – many of them staffed with school-trained architects who opt to become licensed general contractors to better their chances of getting work. It’s the best of both worlds, really – good training and real-world experience, without the fees and overhead (and, sometimes, ego) of shingled architects.

    We’ve worked with a few here in LA in the last few years, and the experience has been really positive.

  2. Scott Timberg says

    February 7, 2012 at 10:18 am

    This is a good point — I think that side of the field is, indeed, thriving. There are certainly pockets that are doing okay, but they’re the exceptions in the larger field.

  3. KFCee-Lo says

    February 9, 2012 at 10:11 am

    Hi Scott,
    Found your blog through the Salon article. Great timely article.

    I found Horton’s comments about the profession’s ethos-idealism, dues paying, etc.- to be right on point.

    My wife recently graduated from Harvard’s GSD and it’s really noticeable how much this ethos is institutionally reinforced in the culture there. Professors will really crack the whip on unpaid student interns. And this is as students trying to get summer experience. And after they graduate, the three year internship for licensure has evolved into something particularly exploitive.

    I mean it’s nothing new that there’s a disconnect between academia and the marketplace/real world. But the gap seems so big at a professional graduate school like the GSD. They’re accepting even more students (increasing supply)and they’re embarking on an expansion project in the next few years to be able to accept even more. Probably foreign students because they don’t have to give them financial aid. But come on. Schools like GSD should be leading the profession into adapting to the new realities and not becoming more of a film school!

    Also, a cursory look at the tuition rates AFTER the market crash shows an increase. But a closer look that teases out lowered health care costs, etc. shows that tuition is accelerating even higher as the job prospects and the market for architects crumbles. It’s crazy.

    Sorry, I got carried away a bit. Great article! I hope it will make the industry and schools pause and reevaluate how things are done.

Scott Timberg

I'm a longtime culture writer and editor based in Los Angeles; my book "CULTURE CRASH: The Killing of the Creative Class" came out in 2015. My stories have appeared in The New York Times, Salon and Los Angeles magazine, and I was an LA Times staff writer for six years. I'm also an enthusiastic if middling jazz and indie-rock guitarist. (Photo by Sara Scribner) Read More…

Culture Crash, the Book

My book came out in 2015, and won the National Arts & Entertainment Journalism Award. The New Yorker called it "a quietly radical rethinking of the very nature of art in modern life"

I urge you to buy it at your favorite independent bookstore or order it from Portland's Powell's.

Culture Crash

Here is some information on my book, which Yale University Press published in 2015. (Buy it from Powell's, here.) Some advance praise: With coolness and equanimity, Scott Timberg tells what in less-skilled hands could have been an overwrought horror story: the end of culture as we have known … [Read More...]

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