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Scott Timberg on Creative Destruction

Culinary Adventure with Jonathan Gold

December 4, 2009 by Scott Timberg

THE food writing of Jonathan Gold is so vivid, colorful and at times almost embarrassingly sensual that as a reader, it’s not hard to feel you are actually along for the ride with him as he seeks out restaurants dedicated to, say, regional Mexican cuisine, a groovy wine bar or the street food of urban southeast Asia.

But it’s even more delectable to be able to follow the celebrated scribe to a meal in a foreign city, as yours truly was able to do during the international book festival in Guadalajara. Somehow I’d spent a day and a half and not had much of what Mexicans call “tipica” cuisine — some fine enchiladas at the hotel, and some white wines from Baha, both decent but not memorable.

The first excursion came after Gold appeared in a panel on LA writers and humor, which also included writers Jerry Stahl and Paul Beatty. (Gold recalled his days editing the LA Weekly‘s humor column: “I thought what would make it distinctive,” he said, “is that nothing in it would be funny.”)

After the panel, a caravan of us followed Gold and his journalist wife Laurie Ochoa to what seemed like a remote neighborhood, Tlaquepaque, for a restaurant called El Parian. The cab driver seemed a bit confused by our request to head there, telling us (we thought) that we’d have to walk a long way after he dropped us off and that we’d know where we were because we’d see, “too many restaurants, too many artistanos, too many mariachis.” I could not tell — as we used to say in high school — if this was a threat or a promise.

The meal ended up being very good: Many of us, including The Misread City, got birria — a dish of stewed meat that is usually goat but here was calf. The restaurant’s speciality is what may be the largest drink in the world: Mostly fruit, ice, triple sec, with a large shot of tequila on the side, its container is so large it is marked “BAR” — the quotes are theirs, not mine — presumably so it is not confused with a large soup bowl. (Across from me was UK-to-LA novelist Geoff Nicholson, an excellent guy whose Psycho-Gourmet blog I am digging.)

Gold said of the day’s eating that he had consumed so much beef that he was constructing a cow in his stomach, piece by piece. (Now I know why he turned down the offer of the very fine pickled pig skins I was nibbling on.)

Somehow, by the way, the mariachis never showed up, though Gold, Ochoa, and novelist Mark Danielewski ended up, after the meal, at a bar at which two musicians serenaded them and a couple of drug lords who had footed an enormous bill for the performance.

The second night was longer and harder to explain — all I will say of it is that Gold led us to a very cool bar at which we seemed to be the only gringos. And I think the man’s reputation must precede him, even abroad — a plate of what looked like pig’s feet, served with lime and a chile paste, showed up next to Gold before, I think, anyone had had a moment to even order a beer.

Photo credit: I will not compromise the man’s privacy by posting his picture, so here is a cow.

Filed Under: food, guadalajara, jonathan gold, LA weekly, mark danielewski, mexico, wine

Scott Timberg

I'm a longtime culture writer and editor based in Los Angeles; my book "CULTURE CRASH: The Killing of the Creative Class" came out in 2015. My stories have appeared in The New York Times, Salon and Los Angeles magazine, and I was an LA Times staff writer for six years. I'm also an enthusiastic if middling jazz and indie-rock guitarist. (Photo by Sara Scribner) Read More…

Culture Crash, the Book

My book came out in 2015, and won the National Arts & Entertainment Journalism Award. The New Yorker called it "a quietly radical rethinking of the very nature of art in modern life"

I urge you to buy it at your favorite independent bookstore or order it from Portland's Powell's.

Culture Crash

Here is some information on my book, which Yale University Press published in 2015. (Buy it from Powell's, here.) Some advance praise: With coolness and equanimity, Scott Timberg tells what in less-skilled hands could have been an overwrought horror story: the end of culture as we have known … [Read More...]

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