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Scott Timberg on Creative Destruction

John Updike Redux

February 6, 2009 by Scott Timberg


There’s so much to say about the prolific john updike that i’ve filed a second story… and still didnt have room to get into topics like his take on male sexuality, his very funny Bech books, or his very fine art and book criticism. (his new yorker review of “my name is red” turned me on to turkish writer orhan pamuk, for instance.)

this piece came out of something i noticed over the years: when interviewing writers — especially younger ones, experimentalists, literary science-fiction types, or west coast partisans — i could often set my watch by how long it took them to knock udpike. it was a way of saying, “i dont do that stodgy, patriarchal realist stuff.”
some of this, i imagine, is the usual generational warfare, as bret easton ellis suggests in my piece: eliot and his generation of modernists tore into the entire romantic tradition just as punk rockers initially  dismissed almost the entire school of ’60s songcrafted that preceded them. but there’s more to it than that.
anyway, hope readers enjoy the piece and i welcome comments. i must admit that in college, where i was a thomas pynchon devotee, i had some sympathy for the anti-updike argument.
Photo credit: Flictr user 19

Filed Under: books, bret easton ellis, updike

Comments

  1. Sam says

    February 16, 2009 at 7:28 am

    Scott,

    Nice work on Updike. If you haven’t seen the New Yorker compilation of Updikes work in the Feb. 9th and 16th double issue it is worth checking out. Essentially follows his work in snipets from 1955 to May 2008. I especially liked his piece on Ted Williams and the one written just after Kennedy’s assasination (including the beautiful and tragic line, “Jacqueline Kennedy became Persephone, the Queen of Hades and the beautiful bride of grief). Keep up the good work on the blog.

    Also, RE your makeout post, most Iron and Wine music or Beck Mutations.

    ST

  2. Scott Timberg says

    February 16, 2009 at 1:27 pm

    saw that new yorker issue, which i intend to keep.

    if this is the Sam who is my half-brother, i should mention that i GAVE you that beck mutations, for xmas perhaps, when you were like 10 or something!

    i imagine that record took on new meaning as you moved into adolescence — happy to have been a good big brother on this count!

Scott Timberg

I'm a longtime culture writer and editor based in Los Angeles; my book "CULTURE CRASH: The Killing of the Creative Class" came out in 2015. My stories have appeared in The New York Times, Salon and Los Angeles magazine, and I was an LA Times staff writer for six years. I'm also an enthusiastic if middling jazz and indie-rock guitarist. (Photo by Sara Scribner) Read More…

Culture Crash, the Book

My book came out in 2015, and won the National Arts & Entertainment Journalism Award. The New Yorker called it "a quietly radical rethinking of the very nature of art in modern life"

I urge you to buy it at your favorite independent bookstore or order it from Portland's Powell's.

Culture Crash

Here is some information on my book, which Yale University Press published in 2015. (Buy it from Powell's, here.) Some advance praise: With coolness and equanimity, Scott Timberg tells what in less-skilled hands could have been an overwrought horror story: the end of culture as we have known … [Read More...]

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