• Skip to main content
  • Skip to primary sidebar
  • Home
  • About
    • Margy Waller
    • The Bright Ride
  • Other AJBlogs
  • ArtsJournal

The Bright Ride

Margy Waller: Arts+People+Places

My Mother’s Art of Places

May 14, 2017 by Margy Waller 1 Comment

Studying French Bakery Art at Poilâne in Paris Photo: Suzanne Waller

 

All my life, my mother has been showing me the power of art to create the places where we love to go, the places that stick with us, the places that create memories.

Rosemary Waller (Mom)—Carmel Bach Festival

She’s an artist, a violinist who played in the National Symphony and Cincinnati Symphony Orchestra and was concertmaster of the Carmel Bach Festival in the summers.

Music was part of my life from the first day. I’ve long been grateful for the art she (and my Dad) shared with me and my sisters—theater, museums, dance, etc…and she gifted me with a lifelong love of reading novels.

But it took me much longer to appreciate what she taught me about the art of a place.

When I was young, one of our four local, center city department stores had a monthly sale advertised in the newspaper in a two-page spread headlined EOM, which meant end-of-month.

Carew Tower

The store was called Pogue’s and it took up both sides of the arcade in the tallest building downtown, an art-deco gem named Carew Tower.

Pogue’s is long gone, but still so beloved it has a Facebook page (created long after the store’s demise) maintained by fans and former employees.*

Mom taught me to read the two-page Pogue’s EOM spread carefully. Each department offered a very limited number of items at a deeply discounted price. The key was to figure out which thing was both lowest and best: the item you needed or wanted the most, and at the best price. When the store doors opened, we dashed for the department of the item we’d chosen. One of my prized purchases was a leather Coach bag for $15. There was only one that month and I got there first.

But the most memorable part of going to the EOM sale was not the lucky purchase.

On EOM day, Mom and I went downtown early enough to enjoy breakfast in the Hathaway Diner, which we also entered off the Carew Tower Arcade. It was a pink-tiled treat where the waitresses all had piled-high hairdos. Sufficiently before store opening time, we would finish eating and enter the Arcade to wait outside the Pogue’s entrance. This was the strategy employed by smart shoppers in order to be among the first to enter and therefore more likely to win our lowest and best choice.

The waiting time was pure anticipation in a magical space.

Photo: Maya Drozdz mayadrozdz.com

 

The Carew Tower Arcade has a soaring shiny silver metallic ceiling and arches on both ends of the center area feature artwork made of local Rookwood Tile.

Photo: Maya Drozdz mayadrozdz.com

Going with Mom to the EOM sales and waiting in this astounding space is a powerful memory. If you’ve ever visited my city, chances are I took you to see the Arcade, or at least insisted that you walk through it on your own.

 

This is only one of many places Mom has shown me where artists created a memory, a thing to share with others.

When I was nine, she sent me off to my piano lessons by bus. My teacher, the finely named Mrs. Lukashuk, lived across the river, which required a bus change in another stunning art-deco building, the Dixie Terminal, so-called because this was the transfer point to the Kentucky transit system. Like the Arcade, it features artwork made of Rookwood Pottery tile. The buses crossed the Ohio River on the historic Roebling Suspension bridge which is another iconic architectural stunner and prototype for the later-built and larger Brooklyn Bridge.

Dixie Terminal Photo: Maya Drozdz mayadrozdz.com

Mom took me the first time, showing me how to make the transfer in Dixie Terminal, including how to find the bakery where I was allowed my after-school pre-piano lesson treat. After that, I was on my own to enjoy the trip and sights as much as (or more than) the lessons.

Mom at Gerard Mulot in Paris.

Bakeries are a fine place for memorable art too. It is one of Mom’s super powers to find the bakeries with the most beautiful, creative sweets. She was a Fulbright scholar in Paris in her twenties and has her own art-filled, place-based memories of bakeries and restaurants there. We’ve traveled together to Paris and I’ve seen some of these, plus we now have our contemporary favorites: Poilâne and Gerard Mulot.

Mom and me: The Art of Cake

 

Thanks, Mom. You never exactly told me to pay attention, but you didn’t have to say a thing. #Grateful

 

 

 

*I just checked the Pogue’s Facebook page, and today’s post asks: “On this Mothers Day, who has a favorite memory of going shopping at Pogue’s with mom, grandma, or a favorite aunt?” 

 

 

Filed Under: Creative Placemaking, Uncategorized Tagged With: architecture, Carew Tower, Cincinnati, creative placemaking, Rookwood Pottery, Rosemary Waller

Reader Interactions

Comments

  1. Rosemary Waller says

    May 14, 2017 at 1:22 pm

    Goodness gracious–what a lovely trip down memory lane! It’s been so wonderful to share these experiences with you and your sisters (very apt pupils!), and I look forward to many more such delightful times with all of you. THANK YOU for putting all this together–truly a labor of love!

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Primary Sidebar

Margy Waller

Margy is an advocate for creating community through the arts. She is a Senior Fellow at Topos Partnership (a national strategic communications organization), founder and Serendipity Director of Art … [more] about Margy Waller

About the Bright Ride

  The Bright Ride is an actual event that I dreamed up and organized with friends. People decorate their bikes (and themselves) with lights and other things that sparkle and glow, and ride … [more] about The Bright Ride

Archives

  • July 2023
  • June 2020
  • December 2019
  • November 2019
  • September 2019
  • January 2019
  • July 2018
  • June 2018
  • April 2018
  • February 2018
  • December 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • May 2017
  • April 2017

Recent Comments

  • Margy Waller on How Do We Know It’s Creative Placemaking?
  • Bonnie Neumeier on How Do We Know It’s Creative Placemaking?
  • Rosemary Waller on
  • Greta Gilbertson on Music Makes Art Magic: Atelier des Lumières
  • Margy Waller on Music Makes Art Magic: Atelier des Lumières

Copyright © 2025 · Magazine Pro on Genesis Framework · WordPress · Log in