Archives for September 6, 2021

This is my first posting in two weeks, and it’s nice to be back. No, I didn’t die, nor was I even slightly injured, but since it’s the first time in many years that I’ve taken so much time off from this blog, and since my last posting was preceded by another prolonged hiatus—it strikes me that I should explain my absence.

Part of the problem was that I was swamped with work, including an extended stretch of theater-related travel that kept me more or less continuously on the go for more than a month. I tried to keep up, but I had to spend so much time driving from show to show that I simply didn’t have the steam to stay on top of my routine postings. In addition, I had some technical problems that affected my ability to post and which I have only just succeeded in resolving.

These are the pieces I wrote for The Wall Street Journal during my absence from the blog:

• I reviewed the premiere of Sister Sorry, a new play by Alec Wilkinson.

• I reviewed Antoinette Chinonye Nwandu’s Pass Over, the first play to open on Broadway since the beginning of the COVID lockdown, and Jessica Provenz’s Boca, a new comedy premiered, like Sister Sorry, by Barrington Stage Company.

• I wrote a “Sightings” column about Frank Sinatra’s short-lived but significant interest in the bossa nova.

Now that I’m back, though, I promise to stay back. I missed you!

Steven Schick and the La Jolla Symphony perform Aaron Copland’s Quiet City, with Stephanie Richards on trumpet and Carol Rothrock on oboe:

(This is the latest in a series of arts- and history-related videos that appear in this space each Monday, Wednesday, and Friday)

“Rest is not idleness, and to lie sometimes on the grass under the trees on a summer’s day, listening to the murmur of water, or watching the clouds float across the blue sky, is by no means waste of time.”

John Lubbock, The Use of Life