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Terry Teachout on the arts in New York City

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Coming to a high school near you

September 13, 2018 by Terry Teachout

In today’s Wall Street Journal “Sightings” column, which appears in the paper’s online edition, I consider this year’s listing of the plays and musicals most frequently produced by American high schools, and what it tells us about what the students who do those plays are learning from them. Here’s an excerpt.

* * *

What’s a play that everybody knows? “Arsenic and Old Lace” fits the bill—but why? To be sure, Joseph Kesselring’s 1941 black comedy about a family of maniacs, homicidal and otherwise, was a huge Broadway hit that was subsequently turned into a movie starring Cary Grant, then performed four times on network TV. In addition, regional theaters still mount “Arsenic and Old Lace” often enough that I’ve reviewed it three times, most recently last month in New Jersey. But it’s been three decades since “Arsenic and Old Lace” was last seen on Broadway, and a half-century since it was last done on TV. Nor is Kesselring’s play a classic: It’s just a very well-made commercial comedy. So what explains the unlikely fact that so many literate Americans still recognize the title of a 77-year-old play that by all rights ought to be long forgotten?

The simple and surprising answer might be found among the kids shuffling back to classes after summer vacation: Most of us did it, or saw it, in high school.

For the past eight decades, Dramatics, a monthly magazine for theater students and teachers, has published an annual survey of the plays and musicals that are most frequently produced by U.S. high schools. Nearly 4,000 schools responded to the 2017-18 survey, whose results were released last month. The musicals are a predictable mix of modern-day Broadway hits topped by “Beauty and the Beast” and “The Addams Family.” The plays, however, are something else again. In descending order, they are:

1. “Almost, Maine”
2. “A Midsummer Night’s Dream”
3. “Peter and the Starcatcher”
4. “Alice in Wonderland”
5. “Our Town”
6. “Twelve Angry Men”
7. “The Crucible”
8. “Arsenic and Old Lace”
9. “A Christmas Carol”
10. “Radium Girls”

Certain aspects of this list strike me as just a bit suspect. To begin with, it contains only one pre-20th-century play, “A Midsummer Night’s Dream,” the most perenially popular of Shakespeare’s sublime comedies. What’s more, the only other indisputable classic is Thornton Wilder’s “Our Town.”…

What of the other plays? That’s where things get interesting—in a manner of speaking….

* * *

Read the whole thing here.

To read or listen to NPR’s story about the latest survey of popular high-school plays—and to look at the historical database of popular high-school plays compiled by NPR—go here.

So you want to see a show?

September 13, 2018 by Terry Teachout

Here’s my list of recommended Broadway, off-Broadway, and out-of-town shows, updated weekly. In all cases, I gave these shows favorable reviews (if sometimes qualifiedly so) in The Wall Street Journal when they opened. For more information, click on the title.

BROADWAY:
• The Band’s Visit (musical, PG-13, virtually all shows sold out last week, reviewed here)
• Dear Evan Hansen (musical, PG-13, all shows sold out last week, reviewed here)
• Hamilton (musical, PG-13, Broadway transfer of off-Broadway production, all shows sold out last week, reviewed here)
• My Fair Lady (musical, G, nearly all shows sold out last week, reviewed here)

OFF BROADWAY:
• Days to Come (drama, G, not suitable for children, closes Oct. 6, reviewed here)

CLOSING SOON OFF BROADWAY:
• Be More Chill (musical, PG-13, closes Sept. 30, reviewed here)

CLOSING TOMORROW IN CAPE MAY, N.J.:
• The Lion in Winter (drama, PG-13, closes Sept. 14, reviewed here)

CLOSING TONIGHT IN EAST HADDAM, CONN.:
• Oliver! (musical, PG-13, reviewed here)

Almanac: Theodore Dalrymple on art and censorship

September 13, 2018 by Terry Teachout

INK BOTTLE“ That people should use their freedom of expression for this! It is enough to make one long for censorship: the censorship under which most of the world’s greatest art has always been produced.”

Theodore Dalrymple, Benefits of Non-Production: Part One (New English Review, December 2017)

Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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