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About Last Night

Terry Teachout on the arts in New York City

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Lookback: seventeen years after

September 11, 2018 by Terry Teachout

LOOKBACKNot long after 9/11, I wrote an essay about where I was and what I did that day:

“Get up, son,” my mother said, tapping softly on the door of the bedroom of my childhood home in Missouri. “An airplane hit the World Trade Center.” I came awake a split-second later, my head full of memories. For years, I had wondered when the long arm of terrorism would strike again at New York. I thought of a sunny Saturday morning back when I was living in an apartment house on a hill north of the city. A small earthquake shook the building as I lay sleeping, and the groaning of the old walls woke me. I heard a soft whir through the open window, the rustle of the leaves on the shaken trees. It’s a car bomb, I told myself, unable for one stunned moment to conceive of any other possibility.

All these thoughts flew through my mind in the time it took me to pull on my pants. Then I trotted to the living room, there to behold the coming of the new age….

Read the whole thing here.

* * *

Kurt Masur and the New York Philharmonic perform “The Star-Spangled Banner” at the 9/11 memorial concert on September 20, 2001. I was there:

Almanac: Allen Drury on a confirmation battle in the Fifties

September 11, 2018 by Terry Teachout

INK BOTTLE“He had realized that many people were emotionally involved with the cause of the nominee, but he had not realized quite the fanaticism that seemed capable of flaring from it at an instant’s notice. He still, after seven years in office, retained some slight, idealistic belief that if you treated people in Washington and the great world of politics and the press fairly, they would accord you the same fairness; he was still shocked occasionally at the extremes of bitterness which often cropped out on what sometimes seemed the slightest of provocations. ‘You know,’ Stanley Danta had once remarked wryly, when his unexpected criticism of some proposal put forward by one of the more popular favorites had suddenly brought an avalanche of personal attack upon his own head, ‘I think I’ll introduce a resolution to change the motto of the Republic from “E pluribus unum” to “It all depends on whose ox is gored.” That would be more fitting, I think.’”

Allen Drury, Advise and Consent (published in 1959)

Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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