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About Last Night

Terry Teachout on the arts in New York City

#MeTooFar?

February 28, 2018 by Terry Teachout

In today’s Wall Street Journal “Sightings” column, I take a look at recent pushback against the #MeToo movement. Here’s an excerpt.

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Peter Martins, the longtime boss of New York City Ballet and the School of American Ballet, abruptly retired in December in the wake of allegations that he had subjected dancers to sexual harassment and verbal and physical abuse. Two weeks ago, NYCB and SAB announced that an investigation conducted by an outside lawyer “did not corroborate the allegations,” which Mr. Martins had already denied. Several dancers claim that the investigation was biased in his favor, and the lawyer’s report will not be made public. In any event, Mr. Martins is not returning to his posts, and NYCB and SAB have since put into place measures meant to make it easier for their employees to report inappropriate conduct.

What effect will all this have on the #MeToo movement? Over the past six months, the #MeToo-ers have exposed the entertainment industry as a stinking sewer of predation, in the process changing for the better our collective standards for acceptable behavior in the workplace. But a pushback has begun, and Mr. Martins’ ambiguous exoneration may increase its momentum.

The most prominent critics of the #MeToo movement think that to insist on always “believing the victim,” one of its tenets, necessarily puts the principle of due process at risk. One of them is President Trump—himself an alleged abuser—who tweeted as follows: “People[‘]s lives are being shattered and destroyed by a mere allegation.” Other, less controversial critics like Emily Yoffe contend that casual workplace remarks with ill-judged sexual overtones are being treated in a zero-tolerance manner inappropriate to the gravity of the offense, and that it may be wrong to judge older offenders by new standards of conduct without making allowance for their age.

For my part, I believe that the effects of #MeToo have been hugely salutary. Given what we’ve learned about the disgusting behavior of the likes of Harvey Weinstein, Louis C.K. and other offenders whom the movement has helped to bring low, how can anyone think otherwise? Still, it’s one thing to give credit where it’s due and another to assume that all accusers can do no wrong….

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Read the whole thing here.

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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