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About Last Night

Terry Teachout on the arts in New York City

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Archives for May 17, 2016

It’s still working!

May 17, 2016 by Terry Teachout

Every performance of my Palm Beach Dramaworks production of Satchmo at the Waldorf is prefaced by a special turn-off-your-cellphones announcement that I wrote myself. It’s based on the model announcement that I published in The Wall Street Journal back in February. I figured I’d never get a better chance to see whether my ideas worked than my own production.

As of the evening of June 5, the announcement has been played before twenty-nine performances of Satchmo. No cellphones rang or were visibly used during twenty-five of those performances.

And what of the other four? A single cellphone rang—briefly—during both performances on May 21 and at the evening performance on May 22. In addition, one cellphone rang seven times during the May 14 matinée. The gods themselves inveigh in vain against stupidity! Nevertheless, twenty-five out of twenty-nine isn’t just not bad—it’s really, really good.

I’ll continue to monitor our stage-management performance reports and let you know whether my special announcement continues to work successfully. So far, though, it’s looking as though I’ve made a breakthrough, one that other theater companies might want to consider emulating.

* * *

For the text of my no-cellphones announcement, go here.

Lookback: relativism and its discontents

May 17, 2016 by Terry Teachout

LOOKBACKFrom 2006:

People are forever telling me that a work of art should be “criticized on its own terms.” (Mr. Parabasis, one of my favorite bloggers, got after me a few weeks ago on precisely this count.) Fine—but exactly what does that mean? To extend the metaphor, what if the particular breed of tulip you prefer to cultivate happens to smell like horse manure? Don’t I have a right to point that out, and to suggest that roses might possibly smell better?…

Read the whole thing here.

Almanac: W.H. Auden on taste

May 17, 2016 by Terry Teachout

INK BOTTLE“The surest sign that a man has a genuine taste of his own is that he is uncertain of it.”

W.H. Auden, “Reading” (from The Dyer’s Hand)

Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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