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Archives for May 21, 2015

How the Second World War made America literate

May 21, 2015 by Terry Teachout

UnknownMy monthly essay for the June issue of Commentary, whose occasion is the publication of Molly Guptill Manning’s When Books Went to War: The Stories That Helped Us Win World War II , can now be read on line. Here’s an excerpt.

* * *

It’s said that two things about war are insufficiently appreciated by those who, like me, have not known it first-hand: 1) It is, when not terrifying, mostly dull, and 2) it is, like all human enterprises, subject to the operation of the law of unintended consequences. Few aspects of World War II better illustrate both of these points than the Armed Services Editions publishing project. Between 1943 and 1947, the U.S. Army and Navy distributed some 123 million newly printed paperback copies of 1,322 different books to American servicemen around the world. These volumes, which were given out for free, were specifically intended to entertain the soldiers and sailors to whom they were distributed, and by all accounts they did so spectacularly well. But they also transformed America’s literary culture in ways that their wartime publishers only partly foresaw—some of which continue to be felt, albeit in an attenuated fashion, to this day….

Starting from scratch, these civilians quickly managed to get large numbers of books into the hands of large numbers of grateful servicemen. Without their efforts, America’s soldiers and sailors would have found their wartime service to be even more cruelly burdensome than it was—and America’s authors and publishers would have faced a very different set of problems when the war ended and those servicemen returned home….

Great-Gatsby-WWII-cover-of-Armed-Services-Edition-F-Scott-FitzgeraldThe story of the ASEs is told efficiently enough in When Books Went to War. But Manning is a lawyer, not a literary scholar, and she appears to have little or no awareness of their cultural context, thus making it impossible for her to interpret the project’s larger significance other than superficially. It is revealing, for instance, that the word “middlebrow” appears nowhere in When Books Went to War. Yet the most casual perusal of the list of books reprinted by the Council on Books in Wartime reveals that it reflected in every way the democratic assumptions of the middlebrow culture that dominated America throughout much of the 20th century. The vast popularity of the ASEs testifies to the strength of those assumptions.

At the heart of middlebrow culture was the belief that high art was accessible to anyone who was willing to put in the effort to understand it, and that reading “serious” bestsellers such as Irving Stone’s Lust for Life or John P. Marquand’s The Late George Apley could serve as preparation for more ambitious ventures into great literature. For those servicemen who were already in the habit of reading for pleasure, the stateside counterpart of the ASEs was the Book-of-the-Month Club (which is mentioned only in passing in When Books Went to War). Both enterprises were essentially aspirational in their goals, both drew on the same wide-ranging pool of books, and both were broadly successful in elevating the literary tastes of those readers who made good use of them….

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Read the whole thing here.

So you want to see a show?

May 21, 2015 by Terry Teachout

Here’s my list of recommended Broadway, off-Broadway, and out-of-town shows, updated weekly. In all cases, I gave these shows favorable reviews (if sometimes qualifiedly so) in The Wall Street Journal when they opened. For more information, click on the title.

BROADWAY:
• An American in Paris (musical, G, too complex for small children, virtually all performances sold out, reviewed here)
• Fun Home (serious musical, PG-13, all performances sold out, reviewed here)
• Hand to God (black comedy, X, absolutely not for children or prudish adults, some performances sold out, reviewed here)
• A Gentleman’s Guide to Love & Murder (musical, PG-13, reviewed here)
• The King and I (musical, G, perfect for children with well-developed attention spans, all performances sold out, reviewed here)
• Matilda (musical, G, nearly all performances sold out, reviewed here)
• Les Misérables (musical, G, too long and complicated for young children, reviewed here)
• On the Town (musical, G, contains double entendres that will not be intelligible to children, reviewed here)
• On the Twentieth Century (musical, G/PG-13, all performances sold out, closes July 19, contains very mild sexual content, reviewed here)
• The Visit (serious musical, PG-13, far too dark and disturbing for children, reviewed here)

OFF BROADWAY:
• Alfred Hitchcock’s The 39 Steps (comedy, G, ideal for bright children, remounting of Broadway production, original production reviewed here)
• The Fantasticks (musical, G, suitable for children capable of enjoying a love story, reviewed here)

A_555CLOSING SOON IN CHICAGO:
• Sense and Sensibility (musical, G, closes June 14, reviewed here)

CLOSING NEXT WEEK ON BROADWAY:
• It’s Only a Play (comedy, PG-13/R, closes June 7, reviewed here)

CLOSING SUNDAY OFF BROADWAY:
• Grounded (drama, PG-13/R, explicit sexual references, reviewed here)

CLOSING SUNDAY IN CHICAGO:
• Side Man (drama, PG-13, reviewed here)

CLOSING SUNDAY IN MALVERN, PA.:
• Biloxi Blues (comedy, PG-13, sexual content, reviewed here)

Almanac: H.L. Mencken on privilege

May 21, 2015 by Terry Teachout

INK BOTTLE“What men value in this world is not rights but privileges.”

H.L. Mencken, Minority Report: H.L. Mencken’s Notebooks

Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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