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About Last Night

Terry Teachout on the arts in New York City

TT: Rerun

September 12, 2005 by Terry Teachout

December 2003:

Would that it were more widely understood that high art is good for you–not in the fallacious “Mozart-effect” sense, but in the far more profound sense of soulcraft. Alas, that uplifting notion has largely vanished from American culture. In matters of high art, we must start from zero: we actually have to make the case that listening to operas by Mozart and Verdi and looking at ballets by Balanchine and Tudor are pleasurable experiences.


Fortunately, the strongest card in our hands is that we’re telling the truth, an amazing and miraculous fact that it’s never too late to discover, even if you’ve never held a clarinet or stood at a barre or wielded a paintbrush…

(If it’s new to you, read the whole thing here.)

Filed Under: main

TT: Rerun

September 12, 2005 by Terry Teachout

December 2003:

Would that it were more widely understood that high art is good for you–not in the fallacious “Mozart-effect” sense, but in the far more profound sense of soulcraft. Alas, that uplifting notion has largely vanished from American culture. In matters of high art, we must start from zero: we actually have to make the case that listening to operas by Mozart and Verdi and looking at ballets by Balanchine and Tudor are pleasurable experiences.


Fortunately, the strongest card in our hands is that we’re telling the truth, an amazing and miraculous fact that it’s never too late to discover, even if you’ve never held a clarinet or stood at a barre or wielded a paintbrush…

(If it’s new to you, read the whole thing here.)

Filed Under: main

Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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