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Terry Teachout on the arts in New York City

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Archives for August 31, 2004

OGIC: Terry Teachout, call your office

August 31, 2004 by Terry Teachout

In the Boston Globe, Alex Beam blows the whistle on the newest big doping scandal:

There is, of course, the old-fashioned explanation for why the Buckleys, the Winchesters, and the John Updikes of the world make the rest of us look like clock-watching quill-pushers: hard work. But I have dismissed the possibility that these writers might have studied harder in school, read more books, or spent more hours at the desk than a grasshopper such as I. Or that they are simply more gifted than I am. They must be on something.

(Link via the back-with-a-vengeance Old Hag.)

OGIC: 50 Tracks, revisited

August 31, 2004 by Terry Teachout

Lots of good feedback on last week’s link to CBC’s “50 Tracks,” much of it focused on the hip-hop. Quoth the ‘Fesser, “I bemoan the Clashlessness of the CBC list, and would toss 4 back, and ask the dealer for 4 new to go with Public Enemy as my hole card.” Musician extraordinaire and FOOGIC Kenneth Burns is more inclined to praise the panel for what they got right; one senses his expectations for this sort of exercise have been sanded down to a bare sliver: “The CBC is rightly taking pains to have its 80s ranking include hip-hop. It’s an essential 80s pop genre, but it’s routinely ignored in at least the more fatuous remembrances of the decade. I’m thinking especially of 80s radio stations, which

OGIC: Laugh, cry, repeat

August 31, 2004 by Terry Teachout

Erin O’Connor is thinking out loud about rereading at her blog Critical Mass. An English teacher, she has some particularly interesting things to say about the differences between rereading for pleasure and rereading for work:

I don’t usually reread because there is so much out there in the world that I am eager to read for the first time. I’ve been gluttonous about books since I was very small, and I’ve never lost that kid-in-a-candy-shop feeling I used to get as a child, sitting in front of shelves full of books, almost overwhelmed by the readerly goodness that was bound between their covers. A family friend once gave me a book binge as a birthday present, and recalls a nine-year-old me sitting on the floor in front of the young adults section in B. Dalton’s, declaring that I was “paralyzed by indecision.”


But not rereading is my private habit in my personal reading life. As an English teacher, rereading is professionally necessary, part of the job, and often a very enjoyable part, too. Academic overspecialization being what it is, most of the books in which I am massively well reread are nineteenth-century English novels: I know my Jane Austen, my Brontes, my Dickens, my Collins, my Gaskell, my Eliot, my Thackeray, my Trollope, my Hardy, and my Conrad inside out, and I know them from teaching them repeatedly to class after class of college students who are more (or less) interested in rounding out their literary knowledge, or, more pragmatically, in knocking off a distribution requirement while easing course schedules heavy in science and math. There are some works I have read and taught too many times. They have become old, stale, too familiar, ironically, to be teachable any more, since to teach a work of literature well, you must strike a difficult balance between knowing that work intimately, and not knowing it so well that it has ceased to surprise you. When a work gets so stale that you cannot respond to it any longer, it’s time to not teach it for the indefinite future. Jane Eyre is one of these for me, as are Alice’s Adventures in Wonderland and Bram Stoker’s Dracula. They’ve been out of rotation for a few years, freshening up for future teacherly use.


But teacherly rereading is hothouse rereading: it’s forced rereading for a particular purpose, not voluntary rereading for the sheer interest and delight of rediscovering or renewing one’s connection with a particular author or work. I had a teacher in graduate school who liked to say that we should all reread George Eliot’s Middlemarch once every five years. His point was that there is so much in that novel that it effectively grows and changes as we do: It’s a different book every five years, because we are different people from one half decade to the next. He was right.

I don’t reread books terribly often, but when I do it’s generally in the pursuit of comfort, like eating macaroni and cheese in the middle of the winter. For a long time I read Pride and Prejudice every Christmas vacation. Other books I faithfully return to: The Dud Avocado by Elaine Dundy; In the Cage by Henry James; Edith Wharton’s The Age of Innocence and The House of Mirth; some of Dawn Powell’s books; and assorted mysteries including Westlake, John D. MacDonald, and pre-Hannibal Thomas Harris. Quite a conventional list of its kind, I imagine.


(Incidentally, Erin’s mention of B. Dalton’s, a name I haven’t heard in eons, really whips of memories of the bad old pre-revolutionary days [the revolution in question being, of course, the national expansion of Borders] when it was the Dalton’s at the mall or nothing. The next time someone gets snide about Borders in my earshot, I’m going to raise that unlovely specter of the Dalton’s at the mall.)

Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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