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- Joe Horowitz (68)
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Recent Posts:
- A Message for Young Musicians and Old Orchestras
- “Moral Fire”
- San Francisco’s American Mavericks
- Schubert Uncorked
- Orchestral Summitry
- How Orchestras Can “Plug a Hole in the Curriculum”
- Horowitz on Horowitz on Horowitz (continued)
- North Carolina’s State-Wide Symphony
- Porgy and Bess Writ Small
- Restoring the drama to El Amor Brujo
- Siegfried at the Met
- Presenting Mahler’s Marriage
- Ives the Man
- Gershwin Impurities
- The Ives Project
- Rachmaninoff in Texas
- Mahler in Texas
- Improvising Stravinsky
- Something New and Necessary for Orchestras
- Schubert on the Trombone
- Interpreting Stravinsky (continued)
- Lou Harrison and the Great American Piano Concerto
- Bruckner and Religion
- Nixon in China at the Met
- What the embattled NEH does for education: a case in point
- Pittsburgh and Tchaikovsky
- Eavesdropping on Tchaikovsky’s Russia
- The Gershwin Moment (continued)
- The Greatest Vocal Recording of All Time, etc.
- The Detroit Symphony, Service Exchange, and “Full-Time” Jobs
- Re-Inventing Bernstein; Re-Inventing City Opera
- Rheingold, Boris, and Artistic Miscalculation at the Met
- The Singularity of Gershwin
- Santa Fe Opera Update
- Did Dvorak Compose “Deep River”?
- Swapping Horowitz for Arrau
- Reinventing the Orchestra: The Role of Education
- In the Ear of the Beholder
- Gershwin, Stravinsky, Harrison festivals
- The Uses of Culture
- Ligeti, the New York Phil, and finding stage directors for opera
- The NEA Music Critics Institute and a Cultural Sea Change
- Jeremy Denk and the Non-Russian Stravinsky
- Rehearing Stravinsky’s War Symphony
- Stravinsky, Self-Denial, and Self-Renewal
- One Reason Critics Matter
- Rescue Attempt for a Major Dance Work
- How Performable Is Verdi at the Met? — Continued
- How Performable is Verdi at the Met?
- Stravinsky, the New York Philharmonic, and Program Music
- The Nose, The Trojans, and Issues of Popularity
- The Stokowski Conundrum
- Rrecuperating from The Trojans
- The Greatest Present-Day Liszt Pianist
- Reconnecting with Spanish Modernism — and The Problem of de Larrocha
- “Copland and the Cold War” on Campus
- Pearl Harbor music: Weill and Schoenberg
- Liszt and Improvisation
- Bernard Herrmann and Musical Topography
- Visuals in the Concert Hall
- Choreographing Carmen: Wheeldon vs. Mamoulian
- Horowitz on Horowitz on Horowitz on Horowitz: A Recantation
- Why Memphis Matters to Every American Orchestra
- Looking Beyond the Cleveland Strike
- Dvorak Teacher-Training
- Introductory
- The Unanswered Question
- Joseph Horowitz
Recent Comments
Honigberg on A Message for Young Musicians and Old Orchestras
You make many good points Joe. Orchestras need to experiment, reach out and indeed many are. In Your...Sato Moughalian on A Message for Young Musicians and Old Orchestras
A fantastic and thought-provoking piece--thank you.Bill on San Francisco’s American Mavericks
This Sunday night and next at 8, Classical KDFC in San Francisco is streaming highlights from the American Macericks Festival....Daniel Schnyder on Schubert Uncorked
Dear Robert, you should read all the epistula of the great masters being in total distress after hearing their own...ariel on Schubert Uncorked
To compare 19th century music making with to-day is futile - every thing then was quite different ....Robert Berger on Schubert Uncorked
Performances in the 19th century and before were much more spontaneous? Really now. Do you have a time machine...Brian Bell on North Carolina’s State-Wide Symphony
Joe, Great post, and I'm glad you mentioned the tremendous travel that our fine folks in are doing around NC. It...william osborne on North Carolina’s State-Wide Symphony
Private funding is naturally focused on large urban areas where the wealthy live (even if some exceptions exist.) Public...Joe Townley on Lou Harrison and the Great American Piano Concerto
YouTube has a wealth of American piano concertos posted by various individuals that listeners can peruse. One can survey this...adrienne sirken on Presenting Mahler’s Marriage
Thank you for this description of a fascinating evening's concert. In an era when we are all searching for...