As readers of this blog know, I am the author of a recently published book titled "Moral Fire: Musical Portraits from America’s Fin-de-Siecle." My topic is culture as an agent of moral empowerment. That is: my portraits are of four late nineteenth century Americans who believed that exposure to Beethoven and/or Wagner made people “better” – more humane, more compassionate. This is, I argue, a notion far out of fashion – and yet pertinent today. Last week I received an email from a colleague – an American historian – inquiring if reviewers of … [Read more...]
Kurt Weill and Darwinian Adaptation
October 14, 2012 by
My topic has ever been cultural transplantation – the fate of classical music when exported from Europe to America. Of the composers America has imported, Kurt Weill is a special case. In Berlin, Weill’s defining success was The Threepenny Opera, to a scathing anti-capitalist libretto by Bertolt Brecht. In America, he became a Broadway composer whose big hits were Lady in the Dark (1941, with Ira Gershwin and Moss Hart) and One Touch of Venus (1943, with Ogden Nash and S. J. Perelman). The late David Drew, the first major Weill scholar in … [Read more...]
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