THE GERSHWIN MOMENT (CONTINUED) As readers of this blog are aware, I have for some time been proclaiming a "new Gershwin" - in, e.g., the New York Times and the Times Literary Supplement. In Classical Music in America (2005), he ranks with Ives as our most important concert composer (my view of Copland, in that book, irked some reviewers). My book-in-progress is a study of Gershwin and Rouben Mamoulian, the theatrical genius who directed Porgy and Bess. And my latest Gershwin rant takes the form of a review of Larry Starr's superb new George … [Read more...]
The Greatest Vocal Recording of All Time, etc.
It's nice to be noticed, so thank you to those who have complained about the paucity of recent filings in this space. Usually I write a blog when I'm excited or upset. I don't notice that I'm any less excited or upset than usual - just that the blog engine has been running down lately. So here is a list of things I should have been blogging about: 1.Some kind person has posted on youtube the greatest vocal recording of all time. This is Fyodor Chaliapin singing Anton Rubinstein's "Persian Love Song" in 1931 - when Chaliapin was already 58 years … [Read more...]

Recent Comments
Joel Lee on A Status Report on City Opera
Again, we go on and on about the acoustics at the NY State Theater. Why were there not criticisms...william osborne on A Status Report on City Opera
Small music theater requires entirely new concepts of composition, singing and staging. NYCO wants to create a new form...Chuck Lavazi on Dvorak and Hiawatha
The first time I heard the Largo of the Dvorak 9th (then called the 5th, which shows what a geezer...Robert Berger on Ives the Sophisticate
Interesting article, but your dismissal of the Sibelius 2nd as "banal" and "cliched" could not be more...Mark Stryker on Ives the Sophisticate
Joe, Insightful post, thanks. Interestingly, in a review I wrote a couple days ago about the four Ives symphonies played at...J. Theakston on The Greatest Film Score You’ve Never Heard
Must disagree with you on one point, Joe. Modern accompaniment for classic films (silent films excluded) is walking a...richard on The Met’s New Parsifal
I saw the performance of March 5, and your description of the brillance of this production rings true. At last,...Geo. on The Met’s New Parsifal
I saw the HD-cast of this production rather than in person, so obviously my perspective is limited that way. ...msirt on The Met’s New Parsifal
Ah ha! I finally "get" François Girard's final interpretive thrust for this rendition : Parsifal's words (paraphrase of the poem):...Sixtus Beckmesser on The Met’s New Parsifal
Thank you for this thoughtful and insightful appraisal. I was fortunate to have seen the HD broadcast on Saturday,...