Readers of this blog might (or might not) be wondering what's become of me. There have been no postings in recent weeks because with the conclusion of the concert season I found it necessary to write half a dozen grant applications. This left little time for anything else other than complaining about it. I am now in Pittsburgh, where I'm directing an NEH teacher-training workshop on "Dvorak and America" through the end of the month. After that, in August, I'll be covering the Santa Fe Opera for the Times Literary Supplement (UK) -- and … [Read more...]
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Kit Hill on Humanizing Stravinsky
Regarding "...the homeland [Stravinsky] excoriated in his Norton lectures and elsewhere as 'anarchic' and inimical to artistic fulfillment," Robert Craft...Nathalie D. Wagner, President, Wagner Society of New York on Wagner at Coney Island
What a privilege to hear Anton Seidl's lovely--and beautifully performed--composition "Good Night" that you discovered. The Wagner Society of...Dan Goldstein on Shostakovich Decoded
As a once upon a time oboe extra with Pacific Symphony I read with satisfaction your discussion about the orchestra's...Laurence Glavin on The Great American Symphony
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Again, we go on and on about the acoustics at the NY State Theater. Why were there not criticisms...william osborne on A Status Report on City Opera
Small music theater requires entirely new concepts of composition, singing and staging. NYCO wants to create a new form...Chuck Lavazi on Dvorak and Hiawatha
The first time I heard the Largo of the Dvorak 9th (then called the 5th, which shows what a geezer...Robert Berger on Ives the Sophisticate
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