America's struggling orchestras face a double need with a single obvious but controversial solution. The first need is to play fewer concerts. In countless communities, large and small, the concert supply outstrips demand. Orchestras are burdened with contractual obligations that compel them to produce - laboriously and expensively - concerts without a ready audience. Fundraising and marketing resources are overstretched and stretched again. The second need is for orchestras to define themselves less narrowly as concert producers and more … [Read more...]
Looking Beyond the Cleveland Strike
The recent Cleveland Orchestra strike has produced a flurry of commentaries about the financial woes of American orchestras and the impact of declining urban centers on declining audiences. A longer view and a larger picture will be pursued at the forthcoming "Orchestral Summit" at the University of Michigan. I remember when the annual conference of the American Symphony Orchestra League (now the League of American Orchestras) was a sanguine affair. By the late 1980s, concerns about graying audiences had fixed worried attention on marketing and … [Read more...]
Dvorak Teacher-Training
As anyone who is a parent or teacher keenly appreciates, the cultural vocabulary people of my generation (b. 1948) once took for granted is fast disappearing. High school students and college freshmen can no longer be expected to know Marlene Dietrich, or Rodgers & Hammerstein, or Porgy and Bess. Such knowledge was once instilled at home, or via Life Magazine or the Ed Sullivan Show. The absence of the arts and humanities in middle and high school classrooms is widely decried, but this is mainly lip service. In New York City (where I live), you … [Read more...]
Introductory
When a few years ago Doug McLennan invited me to write an ArtsJournal blog, I thought about it and said no. Having been born as long ago as 1948, I remain somewhat a stranger to the internet. And, as I am always writing a book (a form of therapy) when I am not producing concerts, I felt I didn't have the time. Two considerations changed my mind. These days, writing books seems increasingly quixotic. I am almost finished with my ninth, and I don't have an Opus 10 in sight. The second factor was a Eureka moment during the recent NEA Music Critics … [Read more...]

Recent Comments
Honigberg on A Message for Young Musicians and Old Orchestras
You make many good points Joe. Orchestras need to experiment, reach out and indeed many are. In Your...Sato Moughalian on A Message for Young Musicians and Old Orchestras
A fantastic and thought-provoking piece--thank you.Bill on San Francisco’s American Mavericks
This Sunday night and next at 8, Classical KDFC in San Francisco is streaming highlights from the American Macericks Festival....Daniel Schnyder on Schubert Uncorked
Dear Robert, you should read all the epistula of the great masters being in total distress after hearing their own...ariel on Schubert Uncorked
To compare 19th century music making with to-day is futile - every thing then was quite different ....Robert Berger on Schubert Uncorked
Performances in the 19th century and before were much more spontaneous? Really now. Do you have a time machine...Brian Bell on North Carolina’s State-Wide Symphony
Joe, Great post, and I'm glad you mentioned the tremendous travel that our fine folks in are doing around NC. It...william osborne on North Carolina’s State-Wide Symphony
Private funding is naturally focused on large urban areas where the wealthy live (even if some exceptions exist.) Public...Joe Townley on Lou Harrison and the Great American Piano Concerto
YouTube has a wealth of American piano concertos posted by various individuals that listeners can peruse. One can survey this...adrienne sirken on Presenting Mahler’s Marriage
Thank you for this description of a fascinating evening's concert. In an era when we are all searching for...