an blog | AJBlog Central | Contact me | Advertise | Follow me:

Archives for 2004

New Dances at Juilliard

All four choreographers—Janis Brenner, Susan Marshall, Ronald K. Brown, and Robert Battle—displayed an astute understanding of the newcomers' formidable gifts and limited experience plus well-nigh palpable affection and respect for the rising generation. Village Voice 12/20/04 … [Read more...]

Himiko Minato & Dancers

A tense, haunted figure, Minato plays a tormented pilgrim in a dark forest, involved with lethal human threats as well as a portentously symbolic rope hanging from above. Village Voice 12/20/04 … [Read more...]

OUT OF THE ORDINARY

Merce Cunningham Dance Company / Joyce Theater, NYC / December 14 – 19, 2004 “Presented without intermission, each Event consists of complete dances, excerpts of dances from the repertory, and often new sequences arranged for the particular performance and place, with the possibility of several separate activities happening at the same time—to allow not so much an evening of dances as the experience of dance.” The shortest and best way to describe a Merce Cunningham Event is in the choreographer’s own words. A series of eight Events took place … [Read more...]

Margot Fonteyn: A Life, by Meredith Daneman

Daneman’s sensibilities, thinking, and writing style are insufficiently sophisticated for the task of making Fonteyn live on paper. I suspect only a poet would be equal to it. Village Voice 12/14/04 … [Read more...]

THE FRENCH HAVE A SCHOOL FOR IT

Demonstrations of the École de Danse of the Ballet de l’Opéra National de Paris (School of the Paris Opera Ballet) / Opéra National de Paris: Palais Garnier, Paris / December 5, 2004 The Paris Opera Ballet School, founded by Louis XIV in 1713—it’s the world’s oldest academy for producing classical dancers—is now located in a utilitarian complex specifically built for it in Nanterre, on the bleak outskirts of the City of Light. But for more than a century it was located in the bowels of the lavish Palais Garnier, at the hub of urban … [Read more...]

CHEERING UP

Tanztheater Wuppertal Pina Bausch / BAM Howard Gilman Opera House, NYC / November 16-21, 2004 I’m having a lot of trouble with Pina Bausch’s work these days. As just about everyone has noted, the German choreographer whose dark and dirty dance-theater extravaganzas were once hailed as marvelously radical, has, in the last decade, been producing pieces that are gentler, tamer, ostensibly more mellow. In the productions with which she made her name in the States in the 1980s, Bausch took the position of a plaintive, damaged … [Read more...]

IB ANDERSEN & BALLET ARIZONA AT THE GUGGENHEIM

Works & Process at the Guggenheim: Balanchine Continued . . . at Ballet Arizona / Guggenheim Museum, NYC / November 14 and 15, 2004 The first program in a series of four exploring the ongoing life of George Balanchine’s legacy showcased Ib Andersen, one of the most glorious of the Danish male dancers who “defected” to the New York City Ballet to be part of that incomparable choreographer’s world, and nine dancers of Ballet Arizona, where he is now artistic director. With the company’s permission, I watched early afternoon class the … [Read more...]

Monica Bill Barnes

At each of their recurrent impasses, unable to establish a mode of togetherness that will last, yet determined not to part, they face each other as if to ask, "Where do we go from here?" Village Voice 11/15/04 … [Read more...]

RUNNING IN PLACE

Mandance Project / Joyce Theater, NYC / October 21 – November 7, 2004 Plus ça change, plus c’est la même chose, as the French say. The more things change, the more they remain the same. The proverb might have been generated to describe Eliot’s Feld’s choreographic career. Feld’s latest company, Mandance Project—consisting of five men and a lone woman—recently made its debut in New York with a repertory of 11 dances, all but one of them brand new. Astonishingly, the work looks like much that Feld, a huge but inexplicably stymied talent, has … [Read more...]

Henning Rubsam / Sensedance

The radiance the program possessed was due largely to the presence of performers borrowed from the beleaguered Dance Theatre of Harlem, who seem to operate from sources deep inside them. Village Voice 11/08/04 … [Read more...]

an ArtsJournal blog