Archives for September 2005

One of the things I like about Joe Locke’s new CD, Rev-elation, is that Bob Cranshaw plays acoustic bass on it. Sonny Rollins, for reasons unclear to me, prefers the electric instrument over what I irritate some of my bassist acquaintances by calling the real bass. Cranshaw uses the electric bass … [Read more...]

Friday, I leave for Los Angeles to take part in one of Ken Poston’s Los Angeles Jazz Institute extravaganzas, which are packed with music, films about music, discussions of music and a good deal of laughter. This one is called Jazz West Coast 3: Legends of the West. It gets underway this morning … [Read more...]

Ted O’Reilly, the Toronto broadcaster, answered my flippant question in yesterday’s posting: “Why won’t these broadcast people stay put?” Station owners—all have risen from the sales department, or got their money the old-fashioned way, inheritance—won't let them. An ever-deepening … [Read more...]

Responding to the Rifftides posting about the humor of the late bassist Freddie Schreiber, Alan Broadbent relayed a few names that Schreiber invented. Alan was a collaborator with and friend of the wonderful singer Irene Kraal. She is also, regrettably, among the departed. When she was working with … [Read more...]

Cal Tjader, Schreiber's boss, was a major fan of his bass playing and of his word play. The drummer and radio host Dick McGarvin sent this recollection. One of the people fond of quoting Freddie Schreiber's classic lines was Cal himself. And it was from him that I first heard them. I met Cal in … [Read more...]

In the right-hand column, under Doug's Picks, you will find our latest recommendations for your listening, viewing and reading pleasure. Enjoy. Your eating pleasure is another matter. We're a little behind in that area, but thinking; always thinking, searching and testing. … [Read more...]

A number of musicians I have known felt a connection with J.D. Salinger's character Holden Caulfield. This is from my … [Read more...]

Just back from Monterey by way of Seattle, I am ready to crash for—oh, I don’t know, two or three days—but first, I must second what DevraDoWrite posted about the Tower Records staff who made our book signings an agreeable experience at the Monterey Jazz Festival. Here's a little of what … [Read more...]

Making my way home from Monterey, I’m in Seattle for meetings. The city is at its best in the late September sun. People downtown walk around with smiles on their faces, not thinking about the rainy season to come. Many of the hundreds of coffee places have tables on the sidewalk, and the tables … [Read more...]

In Take Five: The Public and Private Lives of Paul Desmond, I included a long letter from 1949 in which Paul told his father, in precise language, why he did not want to be another Charlie Parker imitator. Two excerpts: The question of to bop or not to bop has been a gnawing one ever since I began … [Read more...]

I've been away. It's been days since I checked into what my ArtsJournal.com colleagues are writing about. Martha Bayles is the movie person, but she's also perceptive on my former calling. I'm probably the one who ought to be writing about the performance of television (and cable) news in the … [Read more...]

It was good weather for jazz in Monterey over the weekend, and the Monterey Jazz Festival was a good place for an author. Leroid David and Pete Leon, honchos at the Tower Records booth on the old fairgrounds, said that the signing session for Take Five: The Public and Private Lives of Paul Desmond, … [Read more...]

I am off to California and a book signing at the Monterey Jazz Festival Saturday afternoon from 3 to 6 pm at the Tower Records booth. See you there, I hope. What book? Glad you asked. It's Take Five: The Public and Private Lives of Paul Desmond, still available after all these months. Desmond and … [Read more...]

A knowlegeable reader has caught me in an error in yesterday's Bill Evans posting. It was John O'Hara, not Robert Benchley, who said of George Gershwin's death, "I don't have to believe it if I don't want to." I have heard the quotation attributed to Benchley so often that I didn't doublecheck it. … [Read more...]

Bill Evans died twenty five years ago today. To borrow what John O'Hara said when he heard of George Gershwin’s death, I don’t have to believe if I don’t want to. His music is here through dozens of recordings, but his presence goes beyond aural artifacts. Evans is part of jazz today because … [Read more...]

The town in which I spend most of my time—Yakima, Washington—has several physical attributes that help make it a good place. It has air that cannot be seen, sunshine nearly every day, seasons, mountain views and hundreds of vineyards that produce world-class wines. It has apples, cherries, … [Read more...]

Tom Stites, a former editor at The Chicago Tribune and The Kansas City Star, also edited the fine magazine Jazz, which published from 1976 to 1981. Jazz featured some of the best writers on the subject, including Dan Morgenstern, Ira Gitler, Tom Piazza, Bob Blumenthal, Leonard Feather, Sy Johnson, … [Read more...]

Freddie Schreiber was making a mark in Cal Tjader’s quintet when he died, far too young, in the 1960s. I remember him in Seattle in the mid-1950s as an aspiring bassist and an extremely witty man. He struggled to master the instrument, not with notable success. Later, within a period of two or … [Read more...]

Rifftides reader Eric Bruskin reacts to yesterday’s quote from Bertrand Russell: Was this before or after Yeats put it much more memorably: The best lack all conviction while the worst Are full of passionate intensity ... That is not the only memorable line in William Butler Yeats’s The Second … [Read more...]