With Katrina veering only slightly east, moving fast and staring New Orleans in the face, I’m worried about my friends there. We spent eight years in that amazing city and went through many hurricanes. We were there in 1969 for Camille, the one that’s being compared with tonight’s monster storm. I covered Camille. WDSU-TV was the only station in town with auxiliary power through most of it. I was on the air for something like thirty-six straight hours broadcasting to those who had electricity, hadn’t fled and were watching television. There was a surpisingly large number of them.
On average, the city is three feet below sea level, a massive dish. Camille hit the Gulf Coast considerably east of the city. When a cameraman and I went there a couple of days after the storm, we were stunned by the extent of the devastation in that relatively unpopulated area. I just now looked at the film we made, shaking my head at what would have happened if Camille had made a direct hit on the city.
It doesn’t seem possible that New Orleans will be as lucky this time. Everyone from Mayor Ray Nagin to President Bush has urged people to get out to higher ground. Reports are that many Orleanians, unable to accept that this really is the big one, have decided to stick it out. Some of them, apparently, are observing the old tradition, defying nature by hunkering down in their homes and throwing hurricane parties. How I hope that none of them are the folks I know and love.
Terry Teachout and Laura Demanski have set up as part of their Arts Journal About Last Night a clearinghouse of bloggers sending reports from the city or from where they have sought safety. If you are concerned about or interested in what seems certain to happen to New Orleans, I suggest that you check in with Terry and Laura, along with your traditional news sources.





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
Recent Comments
André Growald on Stompin’ For Mili
Hi Doug, John Bolger, Brandon Bloch, Iola and all the other passengers on board! I wish to express my indebtedness for being invited to...Peter Katz on A Bert Wilson Broadcast
Bert Wilson and his band were always the highlight of the Berkeley Jazz symposium held 2x per year at the UC Berkeley Newman Center back...David on Aperturistic Trio At Tsaritsino
What an exquisite recaptured audience shot at 0:59, perfectly illustrating the sentence above the clip. A remarkable amount of rhythmic tension develops beginning with the...Jim Eigo on Happy Fatha’s Day
Had the good fortune to see Fatha Hines in 1973 at the New School in NYC. There's a nice live recording of this concert too.Dick Unsworth on Happy Fatha’s Day
Haven't heard "Fatha" Hines and bassist Pedersen for ages. Thanks for the treat.