The June 17 item about Bill Perkins elicited this response from Gordon Sapsed in the UK. Thank you - and to Steve Voce for the original interview. The piece today about Bill Perkins has got me starting my day revisiting Perk Plays Prez - and the CD will follow into the car with me when I go out later. I had forgotten that it is Jan Lundgren on piano - and that Jack Sheldon vocal! Rifftides is already influencing my life .... Tell your friends. We want all the visitors we can round up. The superb … [Read more...]
Origin
For the next few days, I'll continue playing catch-up with CDs that accumulated, and may have reproduced, while I was working on Take Five: The Public and Private Lives of Paul Desmond (See Doug's Books on the right). John Bishop’s Origin and OA2 labels concentrate on jazz in the Pacific Northwest. That gives Origin a large pool of talented musicians from which to draw. The label issues so many CDs that it’s hard to keep up with them. The music ranges from mainstream to the near edge of the … [Read more...]
Comments: Crystal Ball Criticism
I think it's about time to put to rest the matter of New York Times critic Ben Ratliff's predicting the quality of a concert that hadn't happened (Rifftides, June 15.) But not quite. The Portland, Oregon, writer Jack Berry offered us this thought: The Ratliff flap is sad. But it's not so much the need to be "edgy," which some observers suggest is the Times' new obsession. Pop culture is all about the next thing. If it's been done, it's done. Jazz is classical music (for better and worse). … [Read more...]





The nonagenarian pianist presented de Barros with every biographer’s hope, unrestricted access to his subject’s personal papers and nearly unrestricted access to her private thoughts. He made the most of it, turning exhaustive research and hundreds of hours of interviews into a true story with the sweep of a novel. From the early discovery of McPartland’s musical gift through her wartime service, her ecstatic and stormy marriage to Jimmy McPartland, her growth as a pianist, her deep affair with Joe Morello, and the radio show that made her a national figure, she has had a fascinating life. It makes a splendid read.
Mulligan’s Concert Jazz Band had three fewer musicians than most big jazz outfits. Its size permitted precision, flexibility and subtlety, yet the band had the power of sprung steel. In this concert from a half century ago, the CJB is as fresh as yesterday. Arrangements by Mulligan, Bob Brookmeyer, Al Cohn and Johnny Mandel set standards to which big band writers still aspire. Bassist Buddy Clark and drummer Mel Lewis inspired Mulligan, Brookmeyer, Conte Candoli, Gene Quill and Zoot Sims to some of the best soloing of their careers. This beautifully produced issue of the complete concert is a basic repertoire item.
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