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Mistaken At The Getty, And Grateful About It

I’ve been out to the Getty twice in recent months, both times to see (and review) interesting, ambitious exhibitions–one piece, about Eyewitness Views: Making History in Eighteenth-Century Europe, will be in tomorrow’s Wall Street Journal (and is online, in its slightly longer version, now), and the other, for Shimmer of Gold: Giovanni di Paolo in Renaissance Siena, […]

NY Historical Society’s Renovation Opens a Debate

Is more always better? Is it better when it comes to seeing art and artifacts? That’s the question I’ve been pondering since last week, when the New-York Historical Society* opened its new fourth floor. The renovated and recast floor includes a dazzling, two-level display of 100 Tiffany lamps (at left) and a gallery whose exhibitions […]

American Watercolors: Excellent Exhibition, But…

American Watercolor In the Age of Homer and Sargent, now on view at the Philadelphia Museum of Art, is an exhausting exhibition, in a good way. It displays more than 170 artworks and covers the period from the 1860s to 1925. It is, as the press release says, “the most comprehensive loan exhibition in over […]

Can You Spot the Fake?

It would be a good idea. As the FBI recently warned, speaking about the case of Michigan art dealer Eric Spoutz, who pumped at least 40 forgeries into the market over the past 10 years (h/t to ArtNet) (to learn to spot fakes, that is): Although Spoutz has been sentenced, [agents] McKeogh and Savona do […]

Max Hollein, Monet And Baseball

When baseball fans go to a game, they usually come prepared: they know the players, their records and their statistics. They know all about batting order strategy. The same for, say, horse-racing–even more so, because good bettors study the odds. But when people go to art museums, they often know nothing in advance–at least nothing […]

It’s A Matter of Taste-And Touch And…

If three, as the old saying goes, makes a trend, the museum world is past that and into institutionalizing the idea of multi-sensory exhibitions. I still would call it a “mini-trend,” though–one that I wrote about for The New York Times in its annual Museums section, published in print today. My article, headlined Drinking In […]

It’s A Rave: The Matisse/Diebenkorn Exhibition

San Francisco beckoned me because of the Matisse/Diebenkorn exhibition at the San Francisco Museum of Modern Art. Both artists are nothing if not seductive and, as I wrote in my review of the exhibition for The Wall Street Journal, published in yesterday’s print edition, “Rarely—if ever—in the history of modern art has a renowned artist […]

Many Miles To Go To See Art

I don’t know all that many people, aside from curators doing research and wealthy collectors, who hop on a plane a fly overseas mainly to see an art exhibition. But that is what has been happening in recent weeks for Icons of Modern Art: The Shchukin Collection at the Fondation Louis Vuitton in Paris. I […]

Paint, Hats and Degas–Really?

Today the Saint Louis Art Museum opened a new exhibition called Degas, Impressionism and the Paris Millinery Trade. On the surface, it sounds like one of those cooked-up theses, a mix of fashion with art, to lure people who generally don’t visit art museums into the galleries. A gimmick. Well, probably not. I have not […]

ICYMI: Matisse and American Art

No sooner had my review of the exhibition at the Montclair Art Museum titled Matisse and American Art run in The Wall Street Journal on Tuesday than I was off, flying to another exhibition whose review you will see in the next several days, I hope. But that early morning flight meant that I did […]

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