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The Broad Museum Answers Back

Several days ago, I asked here if any other art museums in the U.S. were spending as much money buying art as the Crystal Bridges Museum. I had added up the announced purchases over the past year or so by Crystal Bridges and it came to more than $150 million. I could think of only […]

Crystal Bridges Makes A Few Announcments

When it come to art purchases, there could  be a “Crystal Bridges” watch–it seems to me that the museum in Bentonville built largely with Alice Walton’s and the Walton Family Foundation’s money is spending more money buying art than another other U.S. museum currently open to the public. For a short item in tomorrow’s New […]

Crystal Bridges Reshuffles PostWar Galleries With 2014 Acquisitions

The postwar and contemporary art galleries at the Crystal Bridges Museum have always been the weakest part of the collection, but steadily the museum has been filling out the collection. Sixteen acquisitions in this category, all made in 2014, were announced on Friday–I broke the news Thursday evening in a small item in The New […]

Buyer of Leonardo’s Salvator Mundi Identified–UPDATED

Along with, supposedly, the final price tag. He is Russian billionaire Dmitri Rybolovlev and he is said to have bought the painting for $127 million. When I last left this subject, in November, 2013, I said that the painting has been sold to a private collector in Europe.  In March, 2014, the New York Times picked […]

The Story Behind LACMA’s Saudi Partnership

Press releases often provoke more questions than they answer. That was certainly the case when one from the Los Angeles County Museum of Art issued one on Jan. 6 about its new collaboration with Saudi Aramco’s King Abdulaziz Center for World Culture. It said that LACMA and the Center: are pleased to announce that the Center […]

Merry Christmas…

I’ll be away celebrating Christmas for a few days. Here’s my Christmas greeting to you this year: Francesco di Giorgio Martini’s The Nativity, With God the Father Surounded by Angels and Cherubim, which is jointly owned by the National Gallery of Art and the Metropolitan Museum. And there’s a story behind this joint ownership, provided to […]

Freer-Sackler Digitization Project: A Modest Suggestion

The other day, the Freer and Sackler Galleries of the Smithsonian announced that it had digitized its entire collection and was putting it all online for all to see and use–with more than 90 percent of the images in high-definition resolution and without copyright restrictions for noncommercial uses–as of Jan. 1, 2015. This is good news, […]

Happy Thanksgiving, Courtesy of The Bruce

The Bruce Museum sent a seasonal greeting yesterday that I’d like to share. It’s Frans Snyder’s Still Life with Fruit, Dead Game, Vegetables, a live Monkey, Squirrel and Cat (c. 1635). It’s on view now there, as part of Northern Baroque Splendor: The HOHENBUCHAU COLLECTION from: LIECHTENSTEIN. The Princely Collections, Vienna.  Well, part of it […]

Two “Transformative” Gifts That Actually Are

Two lucky museums made big announcements this week–“transformative” gifts of art. And these do seem to fit that bill, no exaggeration. In Los Angeles, a reclusive billionaire named A. Jerrold Perenchio said he would bequest “the most significant works of his collection to LACMA’s planned new building for its permanent collection.” The trove includes “at least” 47 art […]

It’s A Masterpiece!

Yes, I wrote another Masterpiece column for The Wall Street Journal, which published in Saturday’s paper, headlined Folding Culture and Politics Into Art. Can you guess what it is? I’ve already mentioned it here, in 2012. I was enamored of the object, a folding screen made in Mexico at the turn of the 18th century, […]

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