They didn't give me credit, of course, but I was amused today when, after a few days absence, I turned on WNYC to listen to today's episode of the BBC's "A History of the World in 100 Objects." When I touted the series here, on Jan. 17, I suggested that " the Museum of the City of New York’s collection [be used] to tell the history of New York in 10 objects." Instead, the Leonard Lopate show itself it doing it. Without so much as mentioning my post -- which, I suppose is retribution, as I mentioned only WNYC, not the LL show itself in my … [Read more...]
Five Questions For Jay Xu, A Year After The Asian Art Museum’s Near-Bankruptcy
It was just over a year ago that the Asian Art Museum in San Francisco got itself out of trouble, when the city fostered a five-party agreement to restructure the museum's debt. At the time, I also wrote a piece for the Wall Street Journal suggesting that, while circumstances did add to the museum's troubles, perhaps it wasn't all that wise to get itself into high finance. All that is behind the museum now. In fact, last September it re-launched with a new logo (which requires an explanation, alas) and a new mission, as covered in The New … [Read more...]
The Art Institute Of Chicago Links Up With India

In some art circles, as in economic circles, Asia looms very large -- as competition. Some worry aloud that the West may lose its influence over culture to China and India, that someday we'll all be gazing at and buying art from contemporary Asian artists rather than American and European ones. And worse, that tourists will be prowling all over new Asian museums rather than our own. Bye, bye, the 5 million visitors at the Metropolitan Museum and the 8 million at the Louvre. I've always thought the hand-wringing was overdone, at … [Read more...]
Boston Patrons Shell Out: Two New Endowed Directorships

As I've said before, two's company -- so once again I'll mention something because there've been two instances in a very short time. On Tuesday came the news from the Institute of Contemporary Art in Boston that, for the first time in its history, both the Director and Chief Curator positions were being endowed. Jill Medvedow will now be known as the Ellen Matilda Poss Director and Karen Molesworth will be the Barbara Lee Chief Curator. Today, the nearby Peabody Essex Museum announced that its director had also been endowed. Dan … [Read more...]
Hidden Masterpieces: Science Takes Us Underneath The Paint

Out of the Shadows, a film by Kevin Sullivan about the use of advanced technology to discover the way artists work, made its debut in New York yesterday -- a showing at the Winter Antiques Show at the Park Avenue Armory. I went to look, and concluded that it's a good film for museums to screen -- and build a program around. Many museums have discovered that people like to see what art conservation is all about, and this film takes that interest and runs with it. Narrated by Donald Sutherland, the documentary -- don't Google it, … [Read more...]
Since When Does The Departure Of A Museum’s Education Director Make News?
It's not very often that the departure of a museum's education director merits an article in a city's newspaper. But that is what happened last week, when Williams College announced that it had picked Christina Olsen to head its museum of art. Olsen is leaving the Portland Art Museum, and the Oregonian acknowledged her work there, and before at the Getty, as well as her ambition, in a meaty article. The writer, D.K. Row, had also featured Olsen in an article in 2010. Then, he called Olsen one of the most important people at the museum and … [Read more...]
Rembrandt And The Face of Jesus: A Potent Combination

Alexander McQueen isn't the only guy capable of drawing crowds so big that hours must be extended at a museum. Or Leonardo, for that matter. I'm happy to report that the Detroit Institute of Art recently added hours to accommodate visitors to its Rembrandt and the Face of Jesus exhibition. On Jan. 4, the DIA announced that the Rembrandt exhibit "broke attendance records for recent exhibitions at the museum, with more than 15,000 visitors during the week between Christmas and New Year's. The number is around three times the typical weekly … [Read more...]
What’s In A Name? How An Ivory Sculpture Gained Value

This is Old Masters week in New York, and to mark it I have written a short article about an ivory, estimated by Sotheby's in January, 2010, at $120,000 to $150,000.It sold, after much bidding from the trade, for more than $1.2 million. Now, it's for sale at a New York gallery for $3.8 million. Much of the general public probably thinks that's a ripoff, which is one reason I wanted to write about this piece. I leave it you to decide if it's worth that high amount, but the story of how it gained value, going from a piece attributed to … [Read more...]
How To Get American Paintings On TV? Stephen Colbert

In case you missed it, even the Colbert Nation is interested in the new American paintings galleries at the Metropolitan Museum.* Stephen Colbert yesterday (?) interviewed Carrie Rebora Barrett, an associate director of the Met and an Americanist, and it has been posted (here). They talk mostly about Emanuel Leutze's Washington Crossing the Delaware. In it, among other things, we learn: That he likes The Met because "it's a great place to go in and not pay." That Colbert has never been to the Met, alas. That Barrett defends … [Read more...]
First Collection-Sharing, Now Curator-Sharing

The subject line in the email was deceptive: "Nelson-Atkins Hires Esteemed African Art Curator," it said. I almost archived it without reading. The substance turned out to be more interesting. The N-A is indeed hiring the expertise of Nii Quarcoopome (below), the head of the Department of Africa, Oceania & the Indigenous Americas at the Detroit Institute of Arts -- but only 25% of his time. The two museums are curator-sharing. I think we'll see more of this, and it may mean that curators will see their careers developing along a … [Read more...]

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