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Judith H. Dobrzynski on Culture

Secret Gifts To Women Artists: 16 Years Later, Donor Is Still Anonymous

Amazing: just when you think nothing is secret any more, something comes along that is.

In 1997, I wrote a Page One article for the New York Times headlined: “Anonymous Gifts for Art, So Women Creating It Aren’t.”

Crawl,_1983,_MoMA,_bronze.jpgIt was about a foundation called Anonymous Was a Woman, which was started by a philanthropist to help redress the discrimination in the art world against women, and also to help make up for the elimination of National Endowment for the Arts grants to individual artists. 

Reporting the article, I learned that the founder of the AWAW foundation was a woman “who insists on her privacy,” and I respected that. (Ok, I asked around then, and I have my theories now, but I never got a definitive answer and I’ve never disclosed my guess.) 

She is still a secret officially, too. And today, the foundation announced this year’s winners of the $25,000 prize, which goes to:

…women artists over 45 years of age and at a critical juncture in their lives or careers, to continue to grow and pursue their work. The Award is given in recognition of an artist’s accomplishments, artistic growth and the quality of her work. It is not need-based.

SheilaPepe1448.jpgThey are (descriptions theirs):

  • Eleanor Antin, Artist
  • Linda Besemer, Painter
  • Dara Birnbaum, Visual Artist
  • Andrea Bowers, Artist
  • Ann Hamilton, Artist / Installation
  • Yoko Inoue, Visual Artist
  • Jungjin Lee, Artist / Photographer
  • Mary Miss, Artist
  • Sheila Pepe, Artist (her Mind the Gap, at the Brooklyn Museum, 2005, is at right)
  • Judith Shea, Sculptor (her Crawl, 1983, at MoMA, is above) 

This year’s awards brings the total number of winners to 161. Like MacArthur grants, they are notified “out of the blue” – someone else (critics, curators, previous winners) nominates them, without their knowledge, and those nominations are assessed by judges who also are supposed to remain unknown.

It’s sad that we still need grants like these to level the playing field, but it seems that we do, as Jerry Saltz has written about the lack of women artists in MoMA’s collection suggests. That’s just one initiative that’s taken place in the last year or two.

 

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About Judith H. Dobrzynski

Now an independent journalist, I've worked as a reporter in the culture and business sections of The New York Times, and been the editor of the Sunday business section and deputy business editor there as well as a senior editor of Business Week and the managing editor of CNBC, the cable TV

About Real Clear Arts

This blog is about culture in America as seen through my lens, which is informed and colored by years of reporting not only on the arts and humanities, but also on business, philanthropy, science, government and other subjects. I may break news, but more likely I will comment, provide

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