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Chloe Veltman: how culture will save the world

Down With Pre-Performance Monologues

August 12, 2010 by Chloe Veltman

monologue.jpegThere are probably laws dictating that theatre companies need to make public safety announcements at the start of performances. But I wish companies wouldn’t do it. There’s no greater Joy Kill.

You walk into the theatre, excited about what’s about to happen. You buy a drink, take your seat, peruse your program and get ready to experience something unusual. A little thrill rushes through you at the prospect of being transported to a different world for a couple of hours. The auditorium hums with the buzz of expectation and goodwill. You engage the stranger sitting next to you in a conversation about the company’s work or another production of the play you saw in Pennsylvania in the summer of ’92. Everyone’s in it together. The clock strikes eight and you’re just about ready for the houselights to go down. But instead they go…up! And some awkward, stage-struck volunteer in a company T-shirt suddenly materializes before your eyes with a rambling monologue about how grateful the organization is to welcome you to its humble theatrical offering and how donations would be gratefully appreciated no matter how large or small, followed by the inevitable please-notice-your-nearest-emergency-exit and please-switch-off-your-cellphone reminders.

By the time the volunteer has finished talking, the spell has been completely — and sometimes irreparably — broken. What a shame.

If there were some way to prevent these speeches from happening, the theatre-going experience would be improved. You rarely hear people at a concert or public lecture telling the audience to silence its cellphones etc. Put the information on a board at the theatre doors if you have to; write a message on the front cover of the program; have the person who takes tickets or hands out programs voice a gentle reminder as he or she escorts audience members to their seats.

But please, please, please don’t ruin those crucial first moments with an annoying — and to my mind, unnecessary — speech.

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Comments

  1. Angie Fiedler Sutton says

    August 12, 2010 at 10:30 am

    I wrote a blog about how best to do the curtain speech – http://angiefsutton.wordpress.com/2010/06/27/stage-savvy-giving-the-curtain-speech/.
    But having been on both sides (on stage and off – in audience as well as house managing), I hate to say in today’s world, they are necessary. We’ve put a line in the program, house manager tells everyone as they go in, AND the pre-show speech (although at the places I work with, it’s a recording), and there has still been at least two occasions just in the past year where a cell phone STILL goes off.
    And yes – I’ve been at lectures where they state it as well as ‘classical’ music concerts. Heck, I’ve been to meetings where they’ve had to make announcements (although one place made it an interesting game by stating if your cell phone did go off during the meeting, you had to donate $100 toward your favorite charity).

  2. MWnyc says

    August 12, 2010 at 6:52 pm

    You rarely hear people at a concert or public lecture telling the audience to silence its cellphones etc.
    Are you kidding? At classical concerts in New York City, you hear it almost every single time.

Chloe Veltman

...is the Senior Arts Editor at KQED (www.kqed.org), one of the U.S.'s most prominent public media organizations. Chloe returns to the Bay Area following two years as Arts Editor at Colorado Public Radio (www.cpr.org), where she was tapped to launch and lead the state-wide public media organization's first ever multimedia culture bureau. A former John S. Knight Journalism Fellow (2011-2012) and Humanities Center Fellow (2012-2013) at Stanford University, Chloe has contributed reporting and criticism to The New York Times, The Los Angeles Times, BBC Classical Music Magazine, American Theatre Magazine, WQXR and many other media outlets. Chloe was also the host and executive producer of VoiceBox, a syndicated, weekly public radio and podcast series all about the art of the human voice (www.voicebox-media.org), which ran for four years between 2009 and 2013. Her study about the evolution of singing culture in the U.S. is forthcoming from Oxford University Press. Check out Chloe's website at www.chloeveltman.com and connect with her on Twitter via @chloeveltman. [Read More …]

lies like truth

These days, it's becoming increasingly difficult to distinguish between fact and fantasy. As Alan Bennett's doollally headmaster in Forty Years On astutely puts it, "What is truth and what is fable? Where is Ruth and where is Mabel?" It is one of the main tasks of this blog to celebrate the confusion through thinking about art and perhaps, on occasion, attempt to unpick the knot. [Read More...]

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