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Chloe Veltman: how culture will save the world

The Art Of The Press Release

I’m often asked by performers, producers and directors for advice about how to put together and send out a press release — what information to include, how long the document should run, whether it should be delivered via email and/or in hard copy format etc.

I’m always very happy to answer these questions, as to my mind, too many arts organizations end up creating press releases that are, frankly, less than optimal. The majority of these documents, which I imagine take a great deal of time and effort to produce and distribute, simply end up filling the recycling bin in my office.

So I thought I would put together a quick list of do’s and dont’s as a starting point for anyone looking for press release advice. Feel free to argue against any of the following and weigh in with additional pointers that I might have missed:

1. Keep it short: Press releases should never be more than two pages long as writers and editors simply don’t have the time to trawl through reams of prose. One page is even better. Think of the trees.

2. Put the most important information at the top of the page in bold and/or capitals. This includes the title of the event, the main artistic personnel, the venue, the start and end date, media contact information and a URL for a relevant website.

3. Put a summary of all the key calendar data — the what, who, when and where (including cross streets for the venue address and a telephone number) plus ticket information — in a small box or list at the end of the document.

4. Devote a short paragraph to describing the event. Briefly state what it’s about and why it’s happening. Think of this part as the elevator pitch.

5. Devote an even shorter paragraph to listing the main personnel involved. Avoid going into peoples’ biographies in any detail unless knowing one or two key facts about their sparkling careers is, in your opinion, a major selling point for the event.

6. Keep the tone formal and try to avoid editorializing too much. Write like a reporter covering a news story. Simply state the facts. Avoid superlatives at all costs.

7. Use a simple font, e.g. Times or Arial at 12 pt and use bold and/or capitals for headlines and key information throughout the document.

8. Have at least two people check the text for typos and inaccurate information.

9. Send the document via email — both as plain text within the body of a message and as an attachment in word or pdf format. This avoids the costly business of stuffing envelopes and buying stamps, prevents recycling bin cloggage at the receiving end and, once again, saves valuable environmental resources.

10. State the name of the event and the main producer/artist in the subject line of the email e.g. “Magic Theatre Presents World Premiere of Territories by Betty Shamieh”.

11. Send out press releases well in advance of the event. There’s nothing wrong with telling members of the media about what’s going on several months or even a year ahead, especially since magazines have such long deadlines. Then follow up once more (or twice more if you initially sent out the release more than two months in advance) with a resend of the release closer to the date. Don’t send out information about the same event more than three times.

12. Keep your email contact list up to date to increase the likelihood of your missives reaching their destinations and hitting their targets.

13. Avoid pestering journalists over the phone with questions about “did you receive the release I sent you?” Chances are they did.

lies like truth

These days, it's becoming increasingly difficult to distinguish between fact and fantasy. As Alan Bennett's doollally headmaster in Forty Years On astutely puts it, "What is truth and what is fable? Where is Ruth and where is Mabel?" It is one of the main tasks of this blog to celebrate the confusion through thinking about art and perhaps, on occasion, attempt to unpick the knot. [Read More...]

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