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... for Valentine's Day. There's the Victorian way. And then there's the Mustillian way.
When Noam Chomsky or Ralph Nader or Glenn Greenwald or Paul Krugman or Chris Hedges or any number of Obama's leftwing critics call him a disgrace and worse -- ok, let's say it, a finkified hypocrite -- their opinions are dismissed on the right as the mutterings of ideologues who in some cases feel that they were jilted at the alter.
So let's quote a rightwinger, the columnist Ross Douthat, who writes in today's NYT:
[A]fter two years in office we can say with some certainty where Barack Obama's instincts really lie. From the war on terror to the current unrest in Egypt, his foreign policy has owed far more to conservative realpolitik than to any left-wing vision of international affairs.
And that's not all.
On nearly every anti-terror front, from detainee policy to drone strikes, the Obama administration has been what The Washington Times's Eli Lake calls a "9/14 presidency," maintaining or even expanding the powers that George W. Bush claimed in the aftermath of 9/11.
This is not news to anyone who keeps up with the news.
I couldn't be there for his speech to the financial bigwigs, but Gail Collins was. Her column this morning shows yet again that the President With His Head Up His Ass is well named. She writes:
The president squinched his face and bit his lip and seemed too antsy to stand still. As he searched for the name of King Abdullah of Saudi Arabia ("the king, uh, the king of Saudi") and made guy-fun of one of the questioners ("Who picked Gigot?"), you had to wonder what the international financial community makes of a country whose president could show up to talk economics in the middle of a liquidity crisis and kind of flop around the stage as if he was emcee at the Iowa Republican Pig Roast.
The column is also charming proof that Collins must be a fan of the 1940 screwball comedy "His Girl Friday" and Walter J. Burns, the editor of The Morning Post, who orders an underling in the newsroom, "Take the President's speech and run it on the funny page."
Burns has plenty of gems like that. Here's another: "Now, listen, Duffy -- I want you to tear out the whole front page... That's what I said -- the whole front page! Never mind the European war! We've got something a whole lot bigger than that."
Some folks in Montreal want to name a busy subway station for the late great jazz pianist Oscar Peterson in the Montreal nabe where he was born and raised, The Globe and Mail reports.
But zehr eez a leetle problem: The station is already named for Lionel-Adolphe Groulx, a locally famous Quebec priest notable for his xenophobic racism (a k a "nationalistic" beliefs).
Not to worry. A McGill University professor suggests that the station name be shared. He favors "paying homage to both men" (you read that right) with the hyphenated name Station Oscar Peterson-Lionel Groulx.
"Yes, there is a disagreeable underside to the man -- the anti-Semitism, the fascist sympathies," the prof concedes, referring to Groulx of course. But he tells the paper, "I feel uncomfortable about erasing his impact from Quebec history." (If only.) And the prof adds, "We could enjoy the pleasure of an interesting meeting of two important historical figures." (You read that right, too.)
"Yeah," says a friend of mine, a Montreal native who fled the city long ago. "For an allegedly enlightened society, a great number of hardcore fascist bastids is still well entrenched there. I theenk, senor, Kweebek could be considered der Österreich of N. America."
Postscript: Rename the station? Forget it.
A reader from Oregon writes, "Help us, we who check your blog regularly!! Please add something -- ANYTHING!!!! I forget about it being there and then get my special dose of heavy metal speed before I can mute the chaos! -- Your loving fans in the thousands ..."
OK, you asked for it. Here's anything:
A reader from Yurp writes, "Ach!! The Blinding Titties! I'm wearing a string of garlic around my neck now which I clutch feverishly whenever they appear ... and I'm stuffing chunks of garlic in my ears whenever I get hit by the Torture Hit Parade (Actually, I luuuuv it ... Our kraut secretary of the interior, by the way, has "The History of Torture" on his coffee table...) ... Nader: Isn't he, in effect, saying that those of his Florida voters who would have switched to Gore in the case of his abstinence would have given Al a fat lead? However, math is not my forte ... P.S. The Ladykiller rides again...He is now wreaking havoc in Paris ... Sauve qui peut ..."
And another from the Southwest boondocks: "Have you seen this? The mind boggles at possibilities in the hands of neo-quizzers. 'twould make water boarding obsolete, not ta mench human cattle prod ta line 'em up ... Forget da arbeit macht frei signs."
Then yesterday there was David Brooks to the grammar born: "I'm far from the biggest Hillary-lover on the planet, but her resilience and courage is moving." Which brought this reply: "Brooks listens far too much to his hero, the President With His Head Up His Ass. They is fucking stupid."
And finally, shades of James Gilray:

Call it "Pissing Strange." It's not the rock musical "Passing Strange," which just opened on Broadway to crix raves. And it's not with Snooky Lanson, either. Mother Jones magazine calls it "The Torture Playlist" -- a k a the top songs used on detainees in American military prisons "to induce sleep deprivation," to "prolong capture shock," and to "drown out screams."
The day after CNN reported that "Nader takes steps towards another White House bid," I had an exchange -- it was a month ago -- with Henry Kisor, an old friend from former years at the Chicago Sun-Times. Citing that report, I said in a comment on one of Henry's blogposts, None of the above, "Go, Ralph, Go!"
The 79-year-old graphic designer perhaps most famous for creating the I♥NY logo had a dose of surprising advice last week for the propagandists among us -- the marketers, advertisers, public-relations spinners and, yes, journalists -- along with citizens at large facing an onslaught of political campaigns.
It is "essential for us all to question all the beliefs we cherish," Milton Glaser said in his keynote speech to a daylong 'ganda bash, "Where the Truth Lies," organized by the School of Visual Arts with The Graduate Center, CUNY. "Beliefs must be held lightly because certainty can be the enemy of truth."
Propaganda "substitutes an alien authority for our own perception," he said, adding that "the intersection of fear and persuasion has created the world as we know it" and that we are faced with a "constant and relentless subversion of what is real."
Art is the antidote, Glaser asserted. "Art may be the only truth we can ever know," he said. Through art, "what is real becomes visible." Thus, he takes as his touchstone the words of the poet Horace: "The purpose of art is to inform and delight." Notice, he said, that "Horace did not say persuade and delight."
Furthermore, "art is a survival mechanism for the human species," Glaser noted. "Otherwise it would not have lasted this long." He cited the Lascaux cave paintings of prehistoric times to bolster his point.
In addition to the advice that peppered his speech, Glaser showed slides of some of his work. One, displaying a set of buttons created for The Nation magazine, was called "The Purple Coalition" -- as opposed to red or blue -- and it doesn't seem to have worked yet. It offered the following epigrams, one to a button, and a few more:

Principles not politics
Strength not stubbornness
Justice not junkets
Patriotism not ideology
Cooperation not corruption
Truth not spin
Openness not secrecy
Negotiation not intervention
Jobs not pay-offs
Civility not mudslinging
Voting rights not voter fraud
Security not torture
Civil rights not surveillance
Competence not cronyism
Leadership not devisiveness
Facts not fear
Another slide, titled "Goodbye," displayed four buttons with two characters each -- IM PE AC H! -- and a caption that said: "Help send the president on his way with this new four-button set." Sadly, given the results so far, that too is one of Glaser's less persuasive -- or to use his term, informative -- designs.
In "The War That Isn't," his latest column in National Journal, William Powers notes, "It's not at all unusual lately to pick up a large metropolitan newspaper and find that there is nothing -- zero -- on the front page about a war in which nearly 4,000 Americans have died." (Let alone the tens of thousands wounded. Or the hundreds of thousands of dead or wounded Iraqis and the millions forced to flee.)
Not to worry. Unless you agree with George C. Wilson, whose article in Army Times and other military publications, "Vietnam Redux," points out, "Now, as then, [the] generals are leading us down the primrose path." But this kind of news, as Powers says, "gets lost in the noise of other news." You know: "Obama and the Clintons. The mortgage crisis. Sports. The Hollywood writers' strike. The Clintons. The weather. Obama. Celebrities in trouble. Obama. Your health."
Postscript: An inherent part of genocide is to deny that people have died. Read "Counting Iraqi Casualties -- and a Media Controversy," about "the war's exceptional human costs" and the smear campaign to deny them. It is a devastating indictment of the American press -- and National Journal and The Wall Street Journal in particular -- by John Tirman, the executive director and a principle research scientist at M.I.T.'s Center for International Studies. Tirman commissioned the survey published in the British medical journal, the Lancet, in October 2006, that concluded that 600,000 Iraqis died during the first 40 months of the war.
Sites to See
Abstract City
AmericaBlog
American Leftist
Andante
Antiwar.com
ArkivMusic.com
Articulate
Arts & Letters Daily
Blogcritics
Booknotes
Bright Lights Film Journal
Buck Fush
C-SPAN
Center for Cooperative Research
Noam Chomsky
Consortium News
Cost of War in Iraq
Council on Foreign Relations
Crooks and Liars
Cultural Weekly
TheCuttingFloor
The Daily Howler
David E's Fablog
Dark Roasted Blend
Democracy Now!
Devil Ducky
Editor's Cut
Ehrensteinland
Tim Ellis: Comedy
Eschaton
Film Threat
Robert Fisk
Fluxlist Europe
Glenn Greenwald
Good Reads
The Guardian (London)
GUERNICA: A Magazine of Art & Politics
Herman (Literary) Archive, Northwestern Univ. Library
The Huffington Post
Inter Press Service News Agency
International Relations Center
Internet Movie Database (IMDb)
Doug Ireland
Henry Kisor
Krugman's Blog:
Conscience of a Liberal
Lannan Foundation
Life During Wartime
Los Angeles Times
Low Culture
Metacritic
Mimeo Mimeo
Museum of Television & Radio
Nat. Arts Journalism Program
National Security Archive
The New York Times
NO!art
Onion Radio News
Open City
Open Library
Osborne & Conant
The Overgrown Path
Greg Palast
Political Irony
Postclassic Radio
Poynter/Romenesko:
Media People
Rain Taxi
The Raw Story
RealityStudio.org
Bill Reed
The Reeler
Rhizome
Rwanda Project
Salon
Seeing Black
Senses of Cinema
Seven Stories Press
Slate
Studs Terkel
TalkLeft
The Theater Times (Cris Gross)
The 3rd Page
ThugLit: Writing About Wrongs
Times Square Cam
The Tin Man
Truthdig
t r u t h o u t
Wading in the Velvet Sea
Walking Man
The Wall Street Journal
Wikigate
Wikipedia
The Washington Post
James Wolcott
World O'Crap Man
![Two Rocks and Five Years of Lies. Click for explanation. [Photo: AP]](http://www.artsjournal.com/herman/Two%20Rocks%20295.jpg)
