The Mind Sashays

The "vulgo:cynicism" of Carl Weissner's Die Abenteuer von Trashman -- his term for the humor of his latest book -- was already on display in last year's Manhattan Muffdiver.

Both books, from Vienna-based Milena Verlag, are written in German. Although I read German desperately, like a beachcomber sifting sand on a bad day, even I could make out the tone.

Vulgo-cynicism certainly describes the tone of the two books he wrote in English. I can read them, easily: The Braille Film, a Burroughsian cut-up text published decades ago in San Francisco by Nova Broadcast Press (aka Yours Truly), and Death in Paris, published online in 2009 by RealityStudio, which I think of as stripped-down Chandler with value-added vulgarity.

The Adventures of Trashman is Carl's New York night journal of 1968, a year he spent hanging out mainly on the Lower East Side with poets and artists and other riffraff. He messages in an email that Trashman "begins with a fantasy -- imagine, a Lambert Hendricks Ross Hotel on First Avenue. Hyrch! -- and ends with the god's honest troof. No, it doesn't: The letter to Burroughs is ALSO pure fiction. What the hell, I LIKE fiction."

To promote Manhattan Muffdiver, he did readings and went on the TV circuit in Austria and in Germany. This time, he says, "the plan is to do all my readings in Austria and Switzerland, and skip the federal republic in toto. North of the Danube nobody understands my type of humor (vulgo:cynicism) and en plus, the fatherland is overrun by hacks who are fighting tooth and claw over reading venues that will seat 12. In Switzerland you get your own hash dealer. Selah."

Even so, south of the Danube is no picnic. You don't get everything you want. Initially, he hoped to have this babe on the front of Trashman.

trashmantranny.jpgBut "the publisher's sales force nixed the cover, claiming it wouldn't be able to unload a single copy in constipated Austrian book stores," he says. "I could, of course, run off a thousand copies and sell them out of my greatcoat in local cathouses."

It turns out that I figure in certain Trashman passages, including a factually accurate description of his departure from New York:

Die Strecke NYC-Frisco reisst mich nicht gross rein. Es gibt Autos, die uberfuhrt werden mussen. Jan ruft zwei Agenturen an und findet etwas Passendes:

"Chevy Stationwagon, Haustrat hinten drin, hundert Dollar Kaution, sechs tage Zeit." Ich vergesse zu erwahnen, dass ich nur den Motorrad-Fuhrerschein habe.

And:

Am frühen Morgen holen wir am Battery Park den Wagen und verschwinden durch den Holland Tunnel. Wir werden uns am Steuer abwechseln, und ich werde die Halfte der 5300 Kilometer ohne Fuhrerschein quer durch den Kontinent fahren, aber der Leichtsinn der Jugend ist ja bekannt.

In other words, near Battery Park we picked up a Chevy stationwagon, which I'd found through a driveaway agency, and disappeared into the Holland Tunnel. The stationwagon was to be delivered to San Francisco within six days. We would take turns at the wheel. But, as Carl writes, he forgot to mention that he only had a motorcycle license.

In fact, I would discover somewhere in the Midwest that he not only didn't have an automobile license, he didn't know how to drive. Or so it seemed to me, because the first time he took over the wheel and tried to pass a car he nearly clipped a fender. The next time he tried it he nearly sideswiped the car. And so it went for his half of 3,200 miles.

That we actually made it across the country in one piece was something of a miracle. Some details of that trip appeared not long afterward in a cut-up text I published in VDRSVP in 1969.

"... der Leichtsinn der Jugend ..." (the wrecklessness of youth), indeed.

(Crossposted at HuffPo)

October 5, 2011 2:22 PM | | Comments (0)

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Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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This page contains a single entry by Straight Up | published on October 5, 2011 2:22 PM.

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