NYT: Bin Laden Not Ready for His Close-Up

Isn't editorializing in a news story supposed to be out of bounds at The New York Times? Here's the third graf of Bin Laden's Secret Life in a Diminished World, which (with a headline describing his Shrunken World) dominates the print edition of today's front page:

Videos seized from Bin Laden's compound and released by the Obama administration on Saturday showed him wrapped in an old blanket watching himself on TV, like an aging actor imagining a comeback [emphasis added].

You'd think a news editor would have killed the offending phrase. But you'd be wrong. It would have been very easy to do, and it would not have subtracted an iota of fact.

Videos seized from Bin Laden's compound and released by the Obama administration on Saturday showed him wrapped in an old blanket watching himself on TV. like an aging actor imagining a comeback.
See how simple that was? And how much better it reads?

We're also told in the same paragraph, "A senior intelligence official said other videos showed him practicing and flubbing his lines in front of a camera."

How does the NYT know that this kinda sorta aging actor imagining a comeback flubbed his lines? Well, because the intelligence official said so. And we know American senior intelligence officials can be depended upon to tell the truth.

But, hey, the three reporters who wrote the story had no choice. They had to depend on that official because he heard the tapes, and they didn't. As we learn in the 18th paragraph (in a by-the-way aside, no less), all the videos released by the White House "were provided without sound." You read that right.

For all I know, the videos really do show what the unnamed intelligence official says. It's worth noting, however -- as a more forthright story on page 10 of the NYT print edition points out -- the White House released the videos not just "to promote an intelligence triumph but also to try to further diminish the legacy and appeal of Bin Laden."

And belittling remarks inserted into a front-page news story where they don't belong will certainly help. Robert Fisk's column tells the tale as it should be told:

Bin Laden got his just deserts -- those who live by the sword tend to die by the sword -- but did he get the "justice" that President Obama talked about? Many Arabs -- and this theme was taken up by the Arab press, which spoke of his "execution" -- thought he should have been captured, taken to the international court in The Hague and tried.

He makes no bones about Bin Laden's diminished status. "[N]eedless to say, he was a has-been," Fisk writes. But remember, he's voicing an opinion. And besides, "the real problem," as he puts it,

is that the West, which has constantly preached to the Arab world that legality and non-violence was the way forward in the Middle East, has taught a different lesson to the people of the region: that executing your opponents is perfectly acceptable.

Postscript: And now ... the feature flick: video of a has-been. Here are all five.

PPS: May 9 -- The phrase "like an aging actor imagining a comeback" appears to have gained traction. It was used this morning by NBC's "Today" show to describe the video of Bin Laden watching himself on the tube. Why am I not surprised?

May 8, 2011 9:42 AM | | Comments (2)

2 Comments

Hugh Wilford’s recent book, "Mighty Wurlitzer: How the CIA Played America," describes in detail the manipulation of the media by the US government since the late 1940s. See:
http://www.amazon.com/Mighty-Wurlitzer-How-Played-America/dp/0674026810

Psy-Ops are now called MISO – Military Information Support Operations. An interesting recent development is the $200 million contract that has been awarded to develop software to provide the Department of Defense with fake Twitter and Facebook accounts. It allows one operative to run many accounts under fake names representing Pentagon views.

Various reports say "persona management software" contains detailed, fictionalized backgrounds, “to make them believable to outside observers, including sophisticated identity protection services to back them up, preventing suspicious readers from uncovering the real person behind the account. It even games geolocating services so these "personas" can be virtually inserted anywhere in the world, providing ostensibly live commentary on real events, even while the operator was not really present.” (In other words, the software can provide automated comments.)

The Guardian has more info here: http://www.guardian.co.uk/technology/2011/mar/17/us-spy-operation-social-networks

We've all heard about how the “revolutions” in Egypt and Libya were fueled by social media. I wonder if the CIA called it “Operation Sock Puppet.” And reading all the recent press about bin Laden, it’s obvious that the Mighty Wurlitzer has all stops pulled.

You're right. The NYT is our center-left "newspaper of record" (really, what else is there?), but that doesn't mean it shouldn't be read critically.

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Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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This page contains a single entry by Straight Up | published on May 8, 2011 9:42 AM.

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