Where Did the Vampire Squid Come From?

I didn't want to post this item, especially because I have no interest in writing anything that might be misconstrued as a defense of Goldman Sachs. But has anybody besides my staff of thousands -- Bill Osborne, to be precise -- noticed that Matt Taibbi's description of Goldman Sachs as "a great vampire squid wrapped around the face of humanity, relentlessly jamming its blood funnel into anything that smells like money," bears a peculiar resemblance to this cartoon? (It's from Der Stürmer.)

I don't know where Taibbi came up with the description, which appeared in Rolling Stone last July. But he has a lot to answer for. I also don't know why The New York Times, which cites his description in a front-page article this morning, leaves out the blood-sucking part and the smell of money -- unless it prefers not to call attention to rank anti-Semitism -- unlike Maureen Dowd, who relished it fully in her column the other day, as Osborne points out, along with "an encyclopedia of anti-Semitic tropes" including "the implication of murdering God."

spider.jpg"There's even a twist on the trope of Jews and the spread of disease in her column," he notes further. "The only common tropes missing seem to be the ones about sex-obsessed attacks on virgins and eating babies."

Go read Dowd's column and see what he's talking about. She begins this way, "The Great Vampire Squid has gotten religion," and concludes that "as far as doing God's work" goes, "I think the bankers who took government money and then gave out obscene bonuses are the same self-interested sorts Jesus threw out of the temple."

Somehow she failed to mention Judas or cannibal spiders marked with the Star of David. I'm waiting to see what the NYT ombudsman has to say about all this, if anything.

Postscript: Nov. 23 -- Later that day Gawker had this to say, "So That's What a Blood-Sucking Vampire Squid Looks Like."

Umm, just in from Mike (hachface@gmail.com): This is the dumbest thing I've read in a long time. Squids and octopus-like creatures have been used in political cartoons for ages to represent monopolies. The classic targets included Andrew Carnegie and Standard Oil.

Memo to hachface: When the cartoon is published in Der Stürmer and the creature is crowned with a Jewish star, there's only one target. It shit sure isn't Carnegie or Rockefeller. -- JH

November 18, 2009 9:28 AM | | Comments (3)

3 Comments

"The annexation of Poland gave us the opportunity to known the true nature of the Jew."

from "Der Ewige Jude"

[See: http://en.wikipedia.org/wiki/The_Eternal_Jew ]

Honestly, when I first read that description in Matt's article I thought of the Alien 'face-hugger' (1980's sci-fi movie starring Sigourney Weaver).

Here's a picture: http://bit.ly/3wI3aI

You really have to be desperate to even have the nerve to put this into print. How do you become like the thing you hate the most? Saying bad things against Neocons is next on the suspect list of potential bigotry. Are they everywhere? Or nowhere.

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Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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This page contains a single entry by Straight Up | published on November 18, 2009 9:28 AM.

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