That Google Book Settlement

Bulletin: Copyright Office Assails Google's Settlement on Digital Books

SAN FRANCISCO -- The nation's top copyright official made a blistering attack Thursday on a controversial legal settlement that would let Google create a huge online library and bookstore.

Now hear this from Techdirt: Complaints Against Google Book Scanning Project Reach Ridiculous Levels

A friend who also happens to be the author of two self-published books says he agrees with Techdirt entirely.

To me the whole settlement is idiotic. The point is not Google. It's the fact that search technology in general, regardless of who owns it (and I believe Google can't maintain dominance forever), makes copyright a laughing matter. When anyone can digitize anything, post it anywhere, and find it anyhow, does it matter who has the upper hand in copyright legislation? Not much.

Consequently, what people have to give up is the idea that one can earn money by artificially limiting the reproduction of a creative work that is infinitely reproducible. That business model didn't exist 200 years ago. It won't exist 200 years from now. The sooner you adapt to new realities, the better off you'll be. I believe this with my whole heart and am proud to have Google make my every word available to anyone who cares.

What if Google decides to censor me? There will be other alternatives. This isn't a Big Brother world anymore. It's a Billion Brothers world. If Google suppresses what I write, then I or somebody else will make it available in 300 other ways. And if we or they don't, then so what? It will have deserved to die.

It's black and white to me. I'm not saying it's not painful for people who currently make a living on the old business model. But it'll only be more painful if they try to fight it.

Thus spake Nostradamus.

In case you're wondering, a hefty Google dose of The Complete Prophecies of Nostradamus is readily available. But the type is too damned small. You'll have to buy the book to read it comfortably.

September 11, 2009 9:51 AM | | Comments (0)

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Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
HERMAN WOUK'S LATEST 
It's hard to say which comes off worse in Herman Wouk's latest novel, his first in a decade: the U.S. Congress or the American press. "A Hole in Texas" offers the choice between two emblematic stereotypes: a red-faced opportunist who heads the House Armed Services Committee and a mustachioed investigative reporter for the Washington Post.
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This page contains a single entry by Straight Up | published on September 11, 2009 9:51 AM.

Still the Best 9/11 Memorial, Redux was the previous entry in this blog.

Barbara Ehrenreich Does It Again is the next entry in this blog.

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