Notes From Nowhere

"As boring to watch as a space walk," a friend said about Barack Obama's latest round of media appearances, including the best one Sunday night, on "60 Minutes." Paul Krugman, whose wisdom I also trust, is worse than bored this morning. He's filled "with a sense of despair." Krugman has been feeling that way for some time now. Here's why. Postscript: 4:38 p.m. -- Today's Dow rally notwithstanding.

PPS: March 25 -- Continuing right along, here's Tuesday night's prime-time press conference:

Say what you will -- that he is the Professor Prez or the Puppy-Dog Prez or the Pragmatic Prez -- it's more than obvious that Obama is a huge reprieve from the Bullshitter-in-Chief whose head was stuck so far up his ass he sounded like the talking asshole with a Texas twang. "... a bubbly, thick stagnant sound, a sound you could smell," as William Burroughs once wrote in "Naked Lunch." Listen to Burroughs tell you all about it.

March 23, 2009 8:31 AM | | Comments (1)

1 Comments

OK, you asked for comments.....

My problem with Krugman is that he is just as much fixated on a single solution as the wingnuts on the right. Any program that does not revolve around massive government intervention a la FDR is ipso facto useless. Because of his ideological commitment, he infuses his economic predictions with a far greater air of inevitability than that uncertain science should receive. Paul dilutes his substantial value as an economist/shepherd for the uneducated (like me) by getting it all bollixed up with his second calling as a political polemicist. He's far better at one than at the other.

It should have been obvious to any attentive observer that Obama is not a classic post-New Deal liberal, at least in process terms. He certainly shares the liberals goals (universal health care, increased oversight for maverick elements of the financial system, etc.) but he is not at all committed to traditional liberal processes. He sees the private sector (or at least its more enlightened elements) as being potential partners in effecting progress towards liberal goals in a way that doesn't create violent schisms in the political fabric. In short, he's not a zero sum warrior. Krugman is.

Sorry, but I'm an old line member of the Demo Left, lived through the 1960s and 1970s, suffered with candidates like McGovern, Mondale, Dukakis, Tsongas, Bradley, Gore and Kerry whose appeal was limited to the coastal intelligentsia, and have concluded that this is a 51-49 country, with 43-44% firmly embedded in one camp or the other. So, it comes down to making the remaining 2-4% comfortable with where you're going, and how. That's still true today, despite the wave of neo-Watsonian populism sweeping the country right now.

It feels great to storm the ramparts, or initiate a coupe de main, but it doesn't get you anywhere in contemporary America. I know; I was with McCarthy in 1968. If you behave moderately, you stand a chance of implementing liberal goals. Otherwise, you're a loser.

So, fire away.

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Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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