Calling All Burroughs Junkies

The one-stop shop for all things William Burroughs, RealityStudio, has had a design overhaul. "I was really anxious not only to spruce up the site a bit, but to make the range of content more apparent," RS godfather Supervert says. "With the old site, a random visitor would have had no idea just how much content there is."


You want scholarship? There's Jed Birmingham on "the Burroughs connections and important small-press background that the recent obituaries of publisher Richard Seaver neglected to provide"; Ian MacFadyen on "the last painting of Brion Gysin," Burroughs' chief collaborator and a man of genius in his own right; and Oliver Harris on "the holy shit of Burroughs and Kerouac." Those are only the most recent attractions.

You want multimedia? Go to the RS video and audio page. You want news? Check out RS's sister site NakedLunch@50 on the upcoming celebration this summer in Paris. You want obsession? Have a look (via an RS link) at every book cover of every edition of every Burroughs book ever published. (I counted 437, domestic and foreign. Could there be others? I guess. The page modestly says it's "a selection.")

Speaking of book covers, activist Ginger Killian Eades is no slouch in that department. She made two slide shows of covers. Here they are: Transcontinental Junkie and WSB Books by HighJivers. She also reminded me of the swingingest version of Gysin's permutation poem, Junk Is No Good Baby. That's Gysin voice you hear, from 1962. Yeah.

(Crossposted at HuffPo)

I have since come across this KPFA-FM radio recording by accident. It totally suprised me. I had no memory of it until I tuned in.

The archive at radiOM.org notes:

In a program that was recorded on Feb. 13, 1970, [in Berkeley, Cal.], Jan Herman reads from the 5th issue of his magazine "San Francisco Earthquake." The title of this particular issue was "VDRSVP." The reading includes works by Sinclair Beiles, Carl Solomon, Carl Weissner, Annie Rooney, and Jan Herman, chosen at random, and read here as if they were all part of the same piece. Jan Herman was at the time a publisher of avant-garde literature, who in addition to his magazine, also brought to print various pamphlets by Dick Higgins, Liam O'Gallagher, and William S. Burroughs under the Nova Broadcast imprint. This particular reading serves as a classic example of the sort of cut-up literary style that was championed by such writers as William S. Burroughs, and which was quite popular in the late 1960s and 1970s.

Hooray for me. Here's another link, so it must be true: A reading by Jan Herman (April 6, 1970). That's the date it was first broadcast. The intro is by Charles Amirkhanian, the composer. He was KPFA-FM's music director at the time.
February 9, 2009 12:32 PM | | Comments (1)

1 Comments

Thanks for this very useful information, and especially for the laboriously detailed hyperlinks. A rich delight, indeed.

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Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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