Another Small Pleasure
When Rupert Murdoch said The Wall Street Journal would target The New York Times in the competition for readers, he was talking about a lot more than prose style. But if you're taking aim at The Times it helps to show that WSJ reporters know how to write, really write.
Long before Murdoch took over The Journal, it had an enviable tradition of reporting and editing factual news in a "storytelling" format. This was not unique to The Journal -- "storytelling" has been a tiresome buzzword for years in the news business -- but WSJ reporters have been trained to do it better than most.
As a follow-up to yesterday's admittedly inexact NYT-WSJ comparison, here's a textbook example of two front-page ledes that offer a precise contrast in news writing. One is a grabber. It presents the facts in human terms, with dramatic appeal. The other is a dull recitation. It presents the facts as legal abstractions, with no appeal at all.
Exhibit A:
In the final act to a legal drama that began with the devastating Exxon Valdez oil spill 19 years ago, a splintered Supreme Court sliced $2 billion from punitive damages imposed on Exxon Mobil Corp., leaving fishermen, native Alaskans and local landowners with just 20% of the award approved by a federal appeals court. The decision left Exxon pleased and the Alaskans frustrated, but its impact may reach well beyond the icy shores of Prince William Sound. Due to the unique area of law the lawsuit invoked, the justices had their first opportunity to reveal their approach to punitive damages when drawing on a blank slate, rather than applying state laws as they have in prior cases.
Exhibit B:
The Supreme Court on Wednesday reduced what had once been a $5 billion punitive damages award against Exxon Mobil to about $500 million. The ruling essentially concluded a legal saga that started when the Exxon Valdez, a supertanker, struck a reef and spilled 11 million gallons of crude oil into the Prince William Sound in Alaska in 1989. The decision may have broad implications for limits on punitive damages generally. Punitive damages, which are meant to punish and deter, are imposed on top of compensatory damages, which aim to make plaintiffs whole.
Exhibit A: is from today's Journal. Exhibit B: is from today's Times.
I should also mention that the entire stories bear out the contrast in spades.
Sites to See
Air America Radio
AmericaBlog
American Leftist
Andante
Antiwar.com
ArkivMusic.com
Articulate
Arts & Letters Daily
because they are dead
Bill Reed
Blogcritics
Booknotes
Bright Lights Film Journal
Buck Fush
C-SPAN
Center for Cooperative Research
Clive James
Consortium News
Cost of War in Iraq
Council on Foreign Relations
Crooks and Liars
TheCuttingFloor
The Daily Howler
David E's Fablog
Democracy Now!
Devil Ducky
Doug Ireland
Editor's Cut
Ehrensteinland
Eschaton
Henry Kisor
The Huffington Post
Inter Press Service News Agency
International Relations Center
Internet Movie Database (IMDb)
Jacketmagazine
James Wolcott
Jan Herman (Literary) Archive
Krugman's Blog:
Conscience of a Liberal
Lannan Foundation
Life During Wartime
Low Culture
Metacritic
Museum of Television & Radio
Nat. Arts Journalism Program
National Security Archive
Noam Chomsky
NO!art
Onion Radio News
The Overgrown Path
Open City
Rain Taxi
The Raw Story
RealityStudio.org
The Reeler
Rhizome
Rwanda Project
Seeing Black
Studs Terkel
Summit Journal
TalkLeft
The Theater Times (Cris Gross)
The 3rd Page
ThugLit: Writing About Wrongs
Times Square Cam
The Tin Man
Truthdig
t r u t h o u t
Wading in the Velvet Sea
Walking Man
Wikigate
Wikipedia, free encyclopedia
Wm. Osborne & Abbie Conant
World O'Crap Man
AJ Blogs
AJBlogCentral | rssculture
Terry Teachout on the arts in New York City
Andrew Taylor on the business of arts & culture
rock culture approximately
Rebuilding Gulf Culture after Katrina
Richard Kessler on arts education
Douglas McLennan's blog
Art from the American Outback
For immediate release: the arts are marketable
No genre is the new genre
John Rockwell on the arts
Jan Herman - arts, media & culture with 'tude
dance
Apollinaire Scherr talks about dance
Tobi Tobias on dance et al...
jazz
Howard Mandel's freelance Urban Improvisation
Focus on New Orleans. Jazz and Other Sounds
Doug Ramsey on Jazz and other matters...
media
Jeff Weinstein's Cultural Mixology
Martha Bayles on Film...
classical music
Greg Sandow performs a book-in-progress
Exploring Orchestras w/ Henry Fogel
Harvey Sachs on music, and various digressions
Kyle Gann on music after the fact
Greg Sandow on the future of Classical Music
Norman Lebrecht on Shifting Sound Worlds
publishing
Jerome Weeks on Books
Scott McLemee on books, ideas & trash-culture ephemera
theatre
Wendy Rosenfield: covering drama, onstage and off
Chloe Veltman on how culture will save the world
Elizabeth Zimmer on time-based art forms
visual
Public Art, Public Space
John Perreault's art diary
Lee Rosenbaum's Cultural Commentary
Tyler Green's modern & contemporary art blog

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