Uh, Just Asking

Does it matter to the pols running for prez? Does it matter to the people voting for the pols? Let's see whether the latest estimate of the civilian death toll in Iraq makes the agenda.

Doubtful. Why should it? It's old news. It's all about the first three years of the war. We're well past that. We're going on ... what? ... five years?

Besides, the number of the dead -- 151,000 between 2003 and 2006, according to the World Health Organization -- doesn't even come close to the 655,000 estimated earlier by researchers from Johns Hopkins.

Yes, the numbers are all over the lot, depending on the source and methodology. Here's a count of documented deaths based on actual reports, not on estimates. As of today, it's only 80,419 to 87,834. Ahhh ... whatever.

(Crossposted at HuffPo)

Postscript: Jan. 13 -- Here's the lede in Noah Feldman's article this morning, "Vanishing Act," in the Sunday NYT magazine:

What if the United States were at war during a presidential election -- and none of the candidates wanted to talk about it? Iraq has become the great disappearing issue of the early primary season, and if nothing fundamental changes on the ground there -- a probable result of current policy -- the war may disappear even more completely in the new year.

I don't agree with Feldman's general posture on Iraq war policy or with his analysis, which strike me as compromised by his establishmentarian point of view. But I like what he's getting at, as shown by the chart that accompanies his article. And while I don't like what the chart shows, I like the fact that it answers some of what I asked.

I also appreciate his reference to the Tommy Lee Jones flick "In the Valley of Elah." I thought it was the best movie of 2007. As Feldman indicates, it was ignored by moviegoers. Worse, in my opinion, it was shunned by the critics. I kept looking for it on their "10 best" lists. Couldn't find it.

It was not among the picks of the National Society of Film Critics, the American Film Institute, the New York Film Critics Circle, the Los Angeles Film Critics Assoc., or the Chicago Film Critics Assoc. It did not make Roger Ebert's list, Village Voice critic J. Hoberman's list, or Newsweek critic David Ansen's list. And it was ignored by all three NY Times critics, failing to make Manohla Dargis's list, A.O. Scott's list, or Stephen Holden's list.

Oh yeah ... it did make Time critic Richard Schickel's list and his colleague Richard Corliss's list. They both ranked it No. 8, which I have to say is like pinning the tail on the donkey.

January 10, 2008 9:45 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
HERMAN WOUK'S LATEST 
It's hard to say which comes off worse in Herman Wouk's latest novel, his first in a decade: the U.S. Congress or the American press. "A Hole in Texas" offers the choice between two emblematic stereotypes: a red-faced opportunist who heads the House Armed Services Committee and a mustachioed investigative reporter for the Washington Post.
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This page contains a single entry by Straight Up | published on January 10, 2008 9:45 AM.

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