Blogging During Wartime

The puppet master looks like your friendly uncle with a Cheshire cat grin and rose-colored glasses that drip with what? ... strawberry soda? ... cherry syrup? ... Aw gee, have a closer look, it's blood.

Artist Joshua Brown, who drew the caricature as a diary entry for his visual political blog Life During Wartime, says that before the invasion of Iraq he was fooled into believing "it was going to be a short, ugly, bloody war and that American influence in the Middle East was going to be triumphant."

It's a telling admission, because Brown's main occupation is teaching radical social history. (He is a grad school professor with a long list of scholarly works to his credit.) But candor is typical of him and worth keeping in mind when looking at the exhibition of all 270 diary entries now on view at The Graduate Center, CUNY, in Manhattan.

Brown trained as an artist before getting his Ph.D. in working-class history at Columbia. (Two murals he painted in 1979 for Yoko Ono and John Lennon apparently still decorate her apartment in the Dakota.) These days he heads the American Social History Project/Center for Media and Learning based at the Grad Center.

Brown began doing his visual blog on the first day of the Iraq war. In a statement for the Life During Wartime exhibition, he writes:

In the beginning I intended to chronicle and comment on the impact of the war on the home front -- and also to convey some critical views about the war and the duplicitous reasons for its prosecution, which at the time, and especially in editorial cartoons, were getting comparatively little public access.

Starting with a rush, he posted a diary entry "every two or three days," Brown says. He then settled down to posting them once a week. "It was the first time I had done art regularly in 30 years," he adds. "I'm not happy with every one by a long shot, but I don't feel lost." Politically, however, he still feels "pissed off, frustrated and ineffective. I must say it doesn't feel cathartic."

(Crossposted at HuffPo)

Change of subject: Jan. 29 -- The email message from Moveon.org began, "If you're like us, you dread watching the State of the Union. It's depressing: The doublespeak, the distortions, the incessant Republican applause for far-right policies and words that mean nothing."

True, but the message didn't go far enough. It should have continued like this: "It is never more apparent than during the State of the Union that the pols in the Congress on both sides of the aisle are a clubby class apart, all of them wedded under the skin."

Last night there she was, Nancy Pelosi, the leader of the so-called opposition, smiling like the queen of a beauty pageant, applauding the President With His Head Up His Ass -- and applauding and applauding -- long after decorum required, thus setting a deferential tone for his reception. (At least Harry Reid, for whom I have no great love, sat stone-faced.)

And we, the poor schmucks of the electorate, got to watch.

Postscript: Jan. 30 -- Furthermore, is anyone these days writing a funnier, more penetrating column than Mark Morford? If there is, I don't know about it. He even gives great link. Read his latest. It's about the 935 lies.

January 28, 2008 12:12 PM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
HERMAN WOUK'S LATEST 
It's hard to say which comes off worse in Herman Wouk's latest novel, his first in a decade: the U.S. Congress or the American press. "A Hole in Texas" offers the choice between two emblematic stereotypes: a red-faced opportunist who heads the House Armed Services Committee and a mustachioed investigative reporter for the Washington Post.
more picks

Sites to See

About this Entry

This page contains a single entry by Straight Up | published on January 28, 2008 12:12 PM.

Essential Reading was the previous entry in this blog.

Burros Roam Free is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

AJ Blogs

AJBlogCentral | rss

culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
CultureGulf
Rebuilding Gulf Culture after Katrina
diacritical
Douglas McLennan's blog
Flyover
Art from the American Outback
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
On the Record
Exploring Orchestras w/ Henry Fogel
PostClassic
Kyle Gann on music after the fact
Rifftides
Doug Ramsey on Jazz and other matters...
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Stage Write
Elizabeth Zimmer on time-based art forms

visual
Aesthetic Grounds
Public Art, Public Space
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Creative Commons License
This weblog is licensed under a Creative Commons License.