War-Funding Mystery Solved

When you're a mathematician who analyses weapons systems as an independent consultant to the U.S. government, you pay attention to military appropriations (not least because you like to get paid). So it was eyebrow-raising to receive a message from just such a weapons analyst telling me how much he'd learned from Adam Cohen's recent editorial, "Just What the Founders Feared: An Imperial President Goes to War."

The editorial goes to the heart of the war-funding debate by describing the attitude of the Constitution's framers toward presidential power, which they regarded with apprehension especially when it came to the monarchical prerogative of making war.

Cohen writes, "They were revolutionaries who detested kings, and their great concern when they established the United States was that they not accidentally create a kingdom." [Emphasis added.] To keep that from happening, "they sharply limited presidential authority, which Edmund Randolph, a Constitutional Convention delegate and the first attorney general, called 'the foetus of monarchy.' "

The editorial is emphatic about this. Although it appeared in The New York Times on July 23, it should have appeared five or six years ago -- in late 2001 or early 2002, pick a date, but certainly before the invasion of Iraq. And here's why:

The founders were particularly wary of giving the president power over war. They were haunted by Europe's history of conflicts started by self-aggrandizing kings. [Emphasis added].  John Jay, the first chief justice of the United States, noted in Federalist No. 4 that "absolute monarchs will often make war when their nations are to get nothing by it, but for the purposes and objects merely personal."

Many critics of the Iraq war are reluctant to suggest that President Bush went into it in anything but good faith. But James Madison, widely known as the father of the Constitution, might have been more skeptical. "In war, the honors and emoluments of office are to be multiplied; and it is the executive patronage under which they are to be enjoyed," he warned. "It is in war, finally, that laurels are to be gathered; and it is the executive brow they are to encircle." [Emphasis added.]

When the weapons analyst, who happens to be a friend and who shall remain nameless for obvious reasons, read the last part of that sentence about the laurels, he says an image of Bush in a flight suit and the "Mission Accomplished" banner prominently displayed on the aircraft carrier USS Abraham Lincoln instantly came to his mind.

In that context the next paragraph was revelatory, solving what had been a mystery to him. It tells exactly how "the framers expected Congress to keep the president on an especially short leash on military matters."

The Constitution authorizes Congress to appropriate money for an army, but prohibits appropriations for longer than two years. [Emphasis added]. [Alexander] Hamilton explained that the limitation prevented Congress from vesting "in the executive department permanent funds for the support of an army, if they were even incautious enough to be willing to repose in it so improper a confidence."

"I had known but not understood why such appropriations never exceed two years," my friend the weapons analyst wrote. "But there it is, Article 1 Section 8. I have developed a much deeper respect and appreciation for the honesty, integrity and foresight of the Founders.  And, in addition to those qualities, they were smart."

Yup, check the 12th clause of that article and section. It's goddamn clever.

(Crossposted at HuffPo)

July 27, 2007 9:51 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
HERMAN WOUK'S LATEST 
It's hard to say which comes off worse in Herman Wouk's latest novel, his first in a decade: the U.S. Congress or the American press. "A Hole in Texas" offers the choice between two emblematic stereotypes: a red-faced opportunist who heads the House Armed Services Committee and a mustachioed investigative reporter for the Washington Post.
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This page contains a single entry by Straight Up | published on July 27, 2007 9:51 AM.

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