The Thinking Part of My Brain

I'm still pondering why Noam Chomsky's recent article, "Imminent Crises: Threats and Opportunities," was listed on the rightwing cultural site Arts & Letters Daily.

At first I thought it was because the site's founding editor Denis Dutton and managing editor Tran Huu Dung sometimes include maverick pieces from the left that have intellectual heft. Besides, I figured they have a grudging respect for Chomsky's take on the world even if they disagree with it.

But the thinking part of my brain -- actually, my friend Bill Osborne -- disputes that. He believes the A&L editors occasionally aggregate far left articles they deem "so extreme that they pillory themselves," especially feminist articles they regard as nonsense. The Chomsky article is different however. It makes enormous sense.

"So something else seems to be at work," Osborne says.

Here's what the thinking part of my brain came up with: "The right has to find a new narrative, and there is something in the article they think they can work with." It hints at the new story the right is going to tell us:

1. The Middle East has always been a cauldron and so we are not to blame for the mess in Iraq.

2. The Middle East is of such historical strategic importance that even our "failed" attempt was justified.  We must, for example, not let China control Middle Eastern oil -- to say nothing of the Europeans.

3.  Freedom is the essence of good government and economies, so the Iraqis (not America) are to blame for the chaos, killing, and poverty because they would not accept the "freedom" we offered.

"One could twist Chomsky's logic to that narrative," Osborne says. "I am pretty sure this is going to be the new empty oil barrel they drum on." And he adds:

The right is now also openly admitting that genocide is evolving, so they need a narrative to explain it.  They must hide that we planned on the genocidal civil war from the outset, and that the war has not been a failure at all.  Let them bleed each other white, then go in for the kill.  (That same strategy was used for Germany and the Soviet Union before and during the Second World War.)

These high level government people are ingenious, the cream of our elite schools.  They always amaze me.  And of course, actions speak for themselves.  We see that in the end those schools, and the entire governmental and economic system they support, ring as morally hollow as someone kicking an empty oil barrel.

Which bolsters what Arianne Huffington wrote last week, "Bill Kristol: On the Train to Delusionville," about his article in the Washington Post, "Why Bush Will Be A Winner," and what she calls this morning "The Long Tail of Bill Kristol's Delusions."

(Crossposted at HuffPo)

July 24, 2007 9:30 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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